Roughcut.com
by Andy Jones
When I heard that Wes Anderson was traveling across country on a bus to promote Rushmore, I assumed that he was driving around in a big yellow school bus. I don’t know why. But it seemed very Wes and very Rushmore — which is an odd, riotous, deeply satisfying, crushingly original [...]
Roughcut.com
by Andy Jones
When I heard that Wes Anderson was traveling across country on a bus to promote Rushmore, I assumed that he was driving around in a big yellow school bus. I don’t know why. But it seemed very Wes and very Rushmore — which is an odd, riotous, deeply satisfying, crushingly original film that Anderson directed and co-wrote with his good friend Owen Wilson. Both are also responsible for the equally out-there Bottle Rocket. Anyhow, it’s not a school bus. It’s a high-tech tour bus painted bright yellow and Anderson holds court in the back bedroom… with a mirrored ceiling. Very rock star. We caught up with him in Atlanta, early in the morning, between television interviews.
Boston Phoenix, February 1999
By Peter Keough
RUSHMORE; Directed by Wes Anderson. Written by Wes Anderson and Owen Wilson. With Jason Schwartzman, Bill Murray, Olivia Williams, Brian Cox, Seymour Cassel, Mason Gamble, Sara Tanaka, Stephen McCole, and Luke Wilson. A Touchstone Pictures release. At the Nickelodeon, the Kendall Square, and the [...]
Boston Phoenix, February 1999
By Peter Keough
The Onion A/V Club
By Keith Phipps
Though he only has two films on his resume, it’s safe to say that no one makes movies like Wes Anderson. Despite barely being released in theaters, his debut, 1996′s Bottle Rocket, still found an audience on video. Starring brothers Luke and Owen Wilson (who also serves [...]
The Onion A/V Club
By Keith Phipps
Though he only has two films on his resume, it’s safe to say that no one makes movies like Wes Anderson. Despite barely being released in theaters, his debut, 1996′s Bottle Rocket, still found an audience on video. Starring brothers Luke and Owen Wilson (who also serves as Anderson’s writing partner), the sweet, complex, humane comedy about a hapless group of aspiring criminals struck a chord with most who saw it, even while languishing in relative obscurity. Rushmore, Anderson’s follow-up, doesn’t seem likely to meet the same fate: It has a high-profile star in Bill Murray and the support of its studio. More importantly, the film has gathered an avalanche of good will from critics, many of whom began publicizing its virtues in November, long before most people could see it. Rushmore tells the story of a lovestruck 15-year-old private-school student whose desire to achieve in every extracurricular activity is outstripped only by his inability (or unwillingness) to recognize his limitations. Raised in Texas, the 33-year-old Anderson shares with his film’s protagonist a private-school background (Rushmore was filmed at the academy he attended as a boy) and prodigious creative instincts (like Rushmore‘s hero, he channeled much of his energy into staging elaborate school plays). Anderson recently spoke to The Onion while touring America in a yellow school bus emblazoned with the Rushmore logo.
The Onion: Tell me about this bus tour you’re on. Have you had any strange experiences on it?
Interview (magazine), February 1999
Not since the mid-to-late ’80s — the days of movies like Blue Velvet, True Stories, Raising Arizona, and Something Wild — has there been a slice of post-modern Americana as funny, thoughtful, and downright weird as the unmissable Rushmore. The film tells the tale of fifteen-year-old nerd entrepreneur Max [...]
Interview (magazine), February 1999
Not since the mid-to-late ’80s — the days of movies like Blue Velvet, True Stories, Raising Arizona, and Something Wild — has there been a slice of post-modern Americana as funny, thoughtful, and downright weird as the unmissable Rushmore. The film tells the tale of fifteen-year-old nerd entrepreneur Max (played by astounding newcomer Jason Schwartzman), who gets tycoon Mr. Blume (Bill Murray) to sponsor his madcap schemes so he can impress the schoolmarm he desires (Olivia Williams), only for the melancholy millionaire to fall for her himself.
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