USA Today has a new interview with Mark Mothersbaugh:
I was already scoring movies at that point, and I got a call from somebody at Sony who said, “We’ve got this interesting film with a difficult director, and you’re the only person he wants to talk to about scoring his movie.” And I thought, “Oh, no.” I went to see his movie, and when I was watching Bottle Rocket, I think they set a record for more people walking out than any other film this focus group had ever worked on. But I thought, “This guy has a really interesting take on our culture right now.” So I really wanted to meet him, and we just really hit it off. We ended up doing four films.
And, Ted Hamilton muses over the commercialization of the muse:
But where do these ideal artists exist? Even outside of visual art, it’s hard to find truly anti-establishment creators. I remember the sinking feeling in my chest when Wes Anderson debuted an ad for the American Express’ “My Life. My Card” campaign, and the sense of bewilderment and betrayal when Bob Dylan signed up for an Apple ad two years later. Everyone, it seems, is on the gravy train. And those who aren’t — well, they’re invisible.
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