Monthly Archives: June 2012

Friday News Round-Up 6/29/12




Friends, Romans, Countrymen– welcome back into the fold. As you have surely noticed, yes, things are slowing down- down, but not out. There is more to come and much to look forward to: the ever expanding release of Moonrise, award season, more information about Movie #8, films by related artists, and new features (!) on the site. But for now, let’s get to it.

Pitchfork, Wes Anderson, and Randall Poster Talk Shop

As any person with two ears who has seen an Anderson film can tell you, the soundtrack is vital to the tone and success of the films. For many of the most memorable scenes, it’s impossible to extract the song from the memory or imagine any other song in its place. Try to imagine Margot stepping off the Greenline Bus without Nico. Try to imagine Peter running to catch the train without the Kinks. You can’t and you shouldn’t; the songs are perfect and pairing music with film is an artform in and of itself. Pitchfork interviewed Wes Anderson and Randall Poster separately about their musical influences, their personal music choices, and discovering new music.

Our favorite is this bit from Randall Poster:

Pitchfork: Do you ever think about whether your work with Wes has inspired people to make music, or opened them up to new sounds?

RP: In the course of the 16 years that we’ve worked together, a lot of bands have been born, and I think there have been some inspired by Wes, to a certain degree. And when kids come up to you and they’re like, “Rushmore really opened me up to a whole world of music,” that’s the absolute greatest. Both of us have shared the experience of being the kid in the dark, watching the movie and just saying, “Oh my God, this is the greatest thing I’ve ever seen.” And when you feel like you’ve affected another kid sitting in the dark, that’s a great reward.

The rest of the article can be read over at Pitchfork.

Wes Anderson on how to make a “Wes Anderson film”

The writer and filmmaker, John Lopez, recently spoke with Wes Anderson on the process of making a “Wes Anderson film.” Check out the full interview here.

No matter how often others deconstruct and mimic Wes Anderson’s style, he almost always nails a note of whimsical enchantment you just won’t get anywhere else short of your first field trip to the Natural History Museum. And his latest, Moonrise Kingdom, has hit the commercial-critical sweet spot — who better to re-create the fastidious fantasies of adolescent love — without Anderson really changing it up: wide-angle tracking shots, check; deadpan delivery, check; Bill Murray’s vague sense of subdued aggression, double check. Which begs the question, how does Wes Anderson make a Wes Anderson film?

 

Friday News Round-Up 6/22/12

  • (Above) Photo of Noye’s Fludde from the set of Moonrise Kingdom by ANTWRANGLERon Flickr.
  • Comic illustrator Henry The Worst made this wonderfully idiosyncratic gif after another Rushmore viewing.
  • Wes discussed the young adult literature that helped inspire Moonrise Kingdom, including A Wrinkle in Time and Huckleberry Finn.
  • The Atlantic has a very sweet piece titled “I Babysat the ‘Moonrise Kingdom’ Kid” by Jared’s former sitter.
  • The New Yorker tallies up the damage against dogs in WA’s films. (RIP Buckley and Snoopy)
  • Wes Anderson and Noah Baumbauch have teamed up to co-produce Peter Bogdanovich’s new film, Squirrel To The Nuts, which stars WA favorite, Jason Schwartzman (and others.)
  • Flavorwire took a great in-depth look at Wes Anderson’s favorite actors.
  • The love from The New Yorker just doesn’t end. Richard Brody penned an excellent blog post regarding how MR fits into Wes’s oeuvre. Key line:

    Moonrise Kingdom is not a drastic departure from Anderson’s first six features but rather an intensification of their characteristics, or even just their more explicit revelation.

  • KidzWorld interviewed to Kara Hayward and Jared Gilman regarding their experiences on the film and acting tips they learned along the way. (As the site title might betray, it’s geared toward a young audience.)
  • Finally, watch Bill Murray’s entire, kinda touching speech at the South Atlantic League Hall of Fame, where he was being inducted as co-owner and “Director of Fun” for the Charleston RiverDogs. Also take a look at this shorter package about Bill and the team. (Love that he’s still rocking the Bishop coat.)

A.V. Club Interviews Bob Balaban


The Onion’s A.V. Club sat down with Bob Balaban to discuss his experience of working with an auteur and selections from his four-decade career, including when he worked as a translator both on- and off-screen for Francois Truffaut during Close Encounters.

This part especially charmed us:

AVC: There does seem to be a lot of Truffaut in Moonrise Kingdom.

BB: That’s what I thought. I didn’t think of it when I read it, but when I saw the movie, it just leapt out at me. The formality of the movie did not let me see it earlier than that, but when I saw the movie all together, I went, “Truffaut.” I was really sad Truffaut wasn’t watching it, because he would have just been crazy for that seven-minute scene on the island with the boy and the girl. That was Truffaut in a nutshell, the seriousness of kids and the respect you have to give them when you’re dealing with them or portraying them. The not talking down, the specificity of young love, which nobody ever gets, really.

Read the rest of the article over at the A.V. Club.

Moonrise Kingdom and the Success of the Platform Release


The most frequent question that we’ve seen on tumblr, Twitter, and Facebook has been, “When is Moonrise Kingdom opening in my hometown?” If you yourself have asked this question, you are part of the success story of Moonrise‘s platform release strategy.

First, let’s turn to wikipedia for a definition of a platform release:

A platform release is a limited release strategy, whereby the film opens in only a few theaters, then gradually expands to more theaters as word of mouth spreads and the marketing campaign gains momentum. Depending on the film’s success, there is even the possibility to expand into a wide release. The advantage of this strategy is that marketing costs are conserved until a film’s performance has been established. This way, if a film turns out to be very popular or critically acclaimed, the distributor may opt to spend more money than originally planned and push for a wider release; if the movie flops, the distributor can withdraw from the campaign without having spent much money promoting and advertising the film.

As you may have heard, MR opened in only four theaters (two in New York and two in Los Angeles), but the film earned $167,250 per screen, which is highest per-theater box office average for a non-animated film of all time.

Join us after the jump for more thoughts regarding MR‘s success. Continue reading

Friday News Round-Up 6/15/12

Welcome back to the Friday News Round-Up! As you may have noticed, things are slowing down a bit around here, but don’t you worry. We still have plenty of Wes Anderson-related splendor to share with you. Let’s get to it!

A.V. Club’s Pop Pilgrims Visit the Real Rushmore Academy

Yes, this is another post about something fantastic the A.V. Club did, but it was too good not to share. The A.V. Club recently took a field trip to Houston and visited the school that stood in for Rushmore Academy, St. John’s School.

The video features shot-by-shot comparisons of campus then and now, excellent interviews with a current teacher at St. John’s who was a friend of Wes’s in high school and the owner of Rosemary Cross’s home, and, as a bonus, has shot of Wes’s yearbook from senior year.


Houston: The Rushmore School

Join us after the jump for a bit more. Continue reading

A.V. Club’s WA Video Quilt

The A.V. Club put together a fantastic supercut of seemingly all of the accessories in Wes’s first six films. Every belt buckle, pair of sunglasses, hat, and shoe (or paw) is represented in this three-minute film. It looks like a true labor of Wes Anderson-love, and that’s right up our alley.


A video quilt of whimsical Wes Anderson accessories

You can also read a bit about the film over at the A.V. Club.