Apparently The Grand Budapest Hotel has restored Stefan Zweig’s (The Author whose work the movie is loosely based on) fame to it’s past glory, as earlier this summer German director Maria Schrader’s movie titled “Stefan Zweig: Farewell to Europe” has premiered in Germany. As of yet not much is known about when the film might see the light of day outside of Germany, there isn’t even a trailer with English subtitles, but the film has been placed on a shortlist of films that that could be selected as the German submission for the Best Foreign Language Film at the 89th Academy Awards.
The film has so far received good reviews in Germany, though none have been published so far in English. Hopefully this film gets picked up by the international press as it deserves to be, and maybe even nominated for the Award, even if just for the reason that it’ll be shown in more countries then.
You can already pre order this book that promises to be as beautiful and collectible as the other two “The Wes Anderson Collection” books. Tip: BookDepository.uk is my favorite page to buy books because they are not expensive and the worldwide delivery is free.
This book collects the best artwork from the first five years of “Bad Dads,” an annual exhibition of art inspired by the films of Wes Anderson. Curated by Spoke Art Gallery in San Francisco, “Bad Dads” has continued to grow and progress and has featured work from more than four hundred artists. From paintings to sculptures to limited-edition screen prints, the artworks vary greatly in style, but share the imagery and beloved characters from the mind of one of Hollywood’s most noteworthy and imaginative filmmakers. The book features an original cover by graphic artist Max Dalton, a foreword by writer and director Wes Anderson himself, and an introduction by TV and movie critic Matt Zoller Seitz, author of the bestselling Wes Anderson Collection books.
“Kubrick is definitely one of my favorites. But usually by the time I’m making a movie, I don’t really know where I’m stealing from. So by the time I make the movie, I think, ‘oh, this is my thing’. But I think I’m always pretty influenced by Kubrick. And Roman Polanski and John Huston and Martin Scorsese – guys whose way with the camera I feel like I’m always taking something from.”
-Wes Anderson on Moonrise Kingdom
Frequent collaborators Wes Anderson and Noah Baumbach have made a video together for a good cause: to help Frank Marshall and Peter Bogdanovich get the lated release of Orson Wells’ final film, called “The other side of the wind”, a real thing. The project they are supporting is on Indiegogo and you can go there to read more about it and, if you’d like, donate money.
If you haven’t heard of The Other Side of The Wind, it was supposed to be Orson Welles’ comeback title. After years spent working in Europe, Orson returned to Hollywood intent on making a film about filmmaking, but managed to hit an obstacle at every turn and, although he finished shooting it, he did not finish editing and the film was never released.
I’m sure that there are a lot of people who would love to live in a Wes Anderson’s movie. Unfortunately, this is not possible. But we have something close to it. And it’s called Bar Luce and it’s part of the Fondazione Prada, in Milan.
“While I do think it would make a pretty good movie set, I think it would be an even better place to write a movie. I tried to make it a bar I would want to spend my own non-fictional afternoons in”, said the designer Wes Anderson, who created a place as beautiful as his movies, but tridimensional.
The bar opened on on May 9 and if you can’t go there yet, I recommend you to see the pictures under the tag #BarLuce on instagram (and if you visit it, take a picture!).
You can visit Bar Luce, Largo Isarco, 2, 20135 Milano, Italy
Wes Anderson was present at the premiere of Noah Baumbach’s latest film “While we’re young“. According to Variety.com:
“While We’re Young” was introduced by A24’s David Fenkel, and the after-party was held at Lexington Brass. Wes Anderson, who stayed through the film’s end credits and took selfies with fans waiting outside, walked over with Vogue editor Grace Coddington. The “Moonrise Kingdom” director was later seen chatting in a dark corner of the party with another powerful New York filmmaker — Spike Jonze (who said he still hadn’t seen the “Girls” finale, on which he had a cameo as a music executive).
In the pictures we can also him reunited with Ben Stiller, who stars in Baumbach’s movie.
The Academy Awards are tomorrow and, as you know, Wes Anderson’s The Grand Budapest Hotel has 9 nominations. Even when it’s not the movie that everyone expect to win (Birdman and Boyhood are the titles that sound mostly as the winners), remember that it won at the Writers Guild Awards and 5 BAFTAs (Make Up & Hair, Original Music, Original Screenplay, Costume Design and Production Design) which it could mean that the movie is going to have a good night, even if it doesn’t win in the main cathegory.
Why he deserves to win? I think the main reason is that he has always been faithful to his style. Even when his movies have been as much loved as hated by people, he never changed. The Grand Budapest Hotel is a 100% Wes Anderson movie and the people couldn’t help fall inlove with it and that’s why, even when it is one of the earliest released of the nominated movies, it is one of the most nominated and celebrated.
“I’ve been asked to make a “statement” even though I feel it does sound more like bragging. Nevertheless, my producers and I send our very deepest thanks to the Academy and its 8000 members for a whole slew of Oscar nominations, especially for my long-time collaborators Robert Yeoman (our cinematographer who has worked with me on seven movies, if I count them right), Milena Canonero (our Italian costume designer), Alexandre Desplat (our French composer), Barney Pilling (our English editor), Frances Hannon and Mark Coulier (more English, hair/make-up), and Adam Stockhausen out of Wisconsin. Also, my friend Hugo Guinness (who co-wrote the movie with me) expresses his own gratitude. We feel very deeply honored and thrilled and, frankly, very, very pleased with ourselves all around.”