From July 12 to August 31, the Northwest Film Center in Portland will present “Wes’s World: Wes Anderson and His Influences”, an opportunity to know not only his work, but the films who has inspired him along his whole career.
Starting with 1998′s “Rushmore,” the Northwest Film Center program will feature screenings of Anderson’s eight features, including now classics like “The Royal Tenenbaums” and “The Life Aquatic with Steve Zissou.” Matt Zoller Seitz, the film critic and RogerEbert.com editor-in-chief who literally wrote the book on Anderson (“The Wes Anderson Collection”) will introduce “The Royal Tenenbaums.”
“Wes’s World” will also include showings of films by François Truffaut, Jacques Cousteau, Werner Herzog, Jean Renoir and Hal Ashby, among others.
Check out the program’s trailer below. The full lineup can be found here, on the Northwest Film Center’s website.
Wes and co. had a good night last night in New York at the IFP Gotham Awards. Moonrise Kingdom took home the top prize of the evening, the Best Feature award, which was accepted by Kara Hayward and Jared Gilman, Sam and Suzy themselves. We’ll have more, including pictures of the night, and hopefully the acceptance speech, in the coming days.
A little light today, but still full of love. We’re in between movies and casting and we’re feeling the strain. Hopefully soon, we’ll hear more about the official cast and plot for #8, which starts filming in the fall. Until then, let’s get down to it:
Hello hello! Another Friday, another round-up. Many thanks to my compatriots for posting while I was away. This week brought us some exciting revelations regarding Movie #8, aka The Grand Budapest Hotel. We are thrilled, excited, and just beside ourselves with glee over this news and, as you’d expect, we’ll bring you all of the updates as they come. Now, onward!
(Above) ANTWRANGLER‘s flickr photostream once again has some excellent behind-the-scenes shots from Moonrise.
Wes Anderson recently offered his thoughts on Christopher Nolan and Dark Knight Rises to the UK’s Empire Online:
I enjoy Chris Nolan’s work in general, but I watched the Blu-Ray and it has a thing where you can go to any scene in the movie and go to the making of that. There’s nothing that has ever made me feel less like a professional than watching Chris Nolan’s group at work. The remote-control miniature cars. Just every technique. The rehearsal of flipping the semi-trailer end over end in the middle of the desert before they blow it up in Chicago… There’s one scene where a guy jumps off the top of a skyscraper — they rehearse the jump but for the actual thing they did it CG. ‘But for the rehearsal you did jump off the building?’ ‘We have it as a reference.’ Wow. Chris Nolan is quite great. My favourite is Memento, but I’d like to learn how to do these things.
The Village Voice’s 4Knots festival is today in New York City. Their poster brings to mind a certain Aquatic film.
Scouting the Moonrise Kingdom filming locations (no pun intended, or maybe intended. I don’t know about these things):
Finally, thanks to Gloria for her work on this weekly column (our condolences to her and her family). And sorry for ruining it by posting it a day late the one week that it is my job.
One week later and here we are again. News is slowing down, but the fan-art is speeding up. At this point, we’re in a lull, so we’ll take what we can get. There’s just never enough Anderson news for our liking.
As you may expect, around these parts we read a lot of interviews with Wes Anderson. (A lot of interviews.) But very few are worth posting here– the ground is covered, the same questions are asked, and there’s nothing really to report. However, Fast Co. Create’s recent interview with Wes was interesting because we finally got something new– an inside peek into his writing and directing process.
When asked about his writing process:
“[In writing the script], I want to make more than something you visualize, I want to make something you can sit there and read; you can experience the story.”
“I like to have a record of something I wrote out there,” says Anderson. Which is why he publishes his scripts. “I’m sure a lot of the people who buy it never read it because you read a few pages and say, ‘Yes, yes, oh yes, I remember all this stuff,’ and then you can kind of move on. But I just like to at least be able to say, ‘Well, it was published and it existed.’” So the Moonrise Kingdom script was recently put out as an e-book by Faber & Faber, [...] And he’s not exactly celebrating the e-book’s brisk sales. “I asked the guys at Faber, ‘How many have we sold?’ and they said, ‘We’ve already sold 100.’” Anderson pauses. “Oh, so, 100. In three months. Wow, that’s great. We’re doing great.”
Note to Rushmore Academicians: This is a call to action. Let’s help make Wes a little happier and all buy the ebook. For everyone we know.
The rest of the interview covers his decision to film in Rhode Island, set structure, storyboarding scenes, lessons learned from previous films, the challenges of working with young actors, and his musical selections. Again, it’s well worth a read.
And finally, some great news about Movie #8: they hope to start shooting by the end of the year. Read the full article at Fast Co. Create.