A new video by UCB Comedy for Characters Welcome. If you ask me, the best part is when he sings a Spanish version of John Lennon’s “Oh Yoko”.
From July 12 to August 31, the Northwest Film Center in Portland will present “Wes’s World: Wes Anderson and His Influences”, an opportunity to know not only his work, but the films who has inspired him along his whole career.
Starting with 1998′s “Rushmore,” the Northwest Film Center program will feature screenings of Anderson’s eight features, including now classics like “The Royal Tenenbaums” and “The Life Aquatic with Steve Zissou.” Matt Zoller Seitz, the film critic and RogerEbert.com editor-in-chief who literally wrote the book on Anderson (“The Wes Anderson Collection”) will introduce “The Royal Tenenbaums.”
“Wes’s World” will also include showings of films by François Truffaut, Jacques Cousteau, Werner Herzog, Jean Renoir and Hal Ashby, among others.
Check out the program’s trailer below. The full lineup can be found here, on the Northwest Film Center’s website.
Brett Smiley, mayorial candidate in Providence, Rhode Island, is running a Wes Anderson-inspired campaign ad. According to the National Journal:
Aligning your political brand with Wes Anderson’s is a good idea if you’re a liberal candidate running for office in a liberal area—remember, Providence is home to Brown University. The Wes Anderson schtick may well be the liberal equivalent of shooting a gun in your campaign ad.
No endorsement intended. Actually, this guy is awesome.
A little light today, but still full of love. We’re in between movies and casting and we’re feeling the strain. Hopefully soon, we’ll hear more about the official cast and plot for #8, which starts filming in the fall. Until then, let’s get down to it:
- (Above): One of our favorite scenes from MR, based on a true story.
- Covetous of Sam’s scout badges? Buy your own here!
- Hat’s off to Boston Sunday Globe for their beautiful full page for the Boston premiere of Moonrise.
- The clip that started it all: Jason Schwartzman’s audition for Rushmore.
- britishindie has designed cleverly minimalist posters for each of Wes’ films. Collect them all!
- Houston Press picked Wes as one of the five film directors they’d like to see direct the Olympics.
- thisisbooksmusic has a great post about Suzie’s record player.
- Even fashion icon Victoria Beckham is inspired by Moonrise Kingdom. That’s Suzie’s dress if I’ve ever seen it!
- If you’re in the mood for some fan art, the official Moonrise Kingdom tumblr has got you covered.
- (Above) Photo of Noye’s Fludde from the set of Moonrise Kingdom by ANTWRANGLERon Flickr.
- Comic illustrator Henry The Worst made this wonderfully idiosyncratic gif after another Rushmore viewing.
- Wes discussed the young adult literature that helped inspire Moonrise Kingdom, including A Wrinkle in Time and Huckleberry Finn.
- The Atlantic has a very sweet piece titled “I Babysat the ‘Moonrise Kingdom’ Kid” by Jared’s former sitter.
- The New Yorker tallies up the damage against dogs in WA’s films. (RIP Buckley and Snoopy)
- Wes Anderson and Noah Baumbauch have teamed up to co-produce Peter Bogdanovich’s new film, Squirrel To The Nuts, which stars WA favorite, Jason Schwartzman (and others.)
- Flavorwire took a great in-depth look at Wes Anderson’s favorite actors.
- The love from The New Yorker just doesn’t end. Richard Brody penned an excellent blog post regarding how MR fits into Wes’s oeuvre. Key line:
Moonrise Kingdom is not a drastic departure from Anderson’s first six features but rather an intensification of their characteristics, or even just their more explicit revelation.
- KidzWorld interviewed to Kara Hayward and Jared Gilman regarding their experiences on the film and acting tips they learned along the way. (As the site title might betray, it’s geared toward a young audience.)
- Finally, watch Bill Murray’s entire, kinda touching speech at the South Atlantic League Hall of Fame, where he was being inducted as co-owner and “Director of Fun” for the Charleston RiverDogs. Also take a look at this shorter package about Bill and the team. (Love that he’s still rocking the Bishop coat.)
Yes, this is another post about something fantastic the A.V. Club did, but it was too good not to share. The A.V. Club recently took a field trip to Houston and visited the school that stood in for Rushmore Academy, St. John’s School.
The video features shot-by-shot comparisons of campus then and now, excellent interviews with a current teacher at St. John’s who was a friend of Wes’s in high school and the owner of Rosemary Cross’s home, and, as a bonus, has shot of Wes’s yearbook from senior year.
Join us after the jump for a bit more. Continue reading
If you’ve ever enjoyed Wes Anderson’s keen sense of pairing just the right song with justthe right scene, you have Randall Poster to thank. NPR has a wonderful interview with Poster that focuses on his work with Wes. Poster has worked on all of Wes’s films post-Bottle Rocket, after meeting through a mutual friend.
While walking around a farmer’s market, Anderson told Poster about a piece of music that he wanted to use for Bottle Rocket but couldn’t because of a rights issue.
“I was so smitten with the film that I basically promised to get any piece of music that he ever wanted to use in a movie,” Poster says. “And that kicked us off.”
Randall Poster’s interview with NPR is a real gem and offers a very different perspective of working on an Anderson film. To learn even more about Poster’s work, a 2007 interview with the Guardian has some great blurbs about working on WA films and others.
Image of Poster on the set of The Darjeeling Limited from moviefone.
The Guardian has a nice interview with Wes regarding his style, his critical reception, working with children, and his frequent collaborators. Regarding the last, he says:
“I don’t think any of us are considered ‘normal’ people,” he says. “It’s probably more a family of crazy uncles. But there’s an energy that comes from people who are friends. Whatever chemistry is on set is going to be there in the movie, and you want some electricity that you don’t really control.”
The rest of the interview can be read over at The Guardian.