A new video by UCB Comedy for Characters Welcome. If you ask me, the best part is when he sings a Spanish version of John Lennon’s “Oh Yoko”.
From July 12 to August 31, the Northwest Film Center in Portland will present “Wes’s World: Wes Anderson and His Influences”, an opportunity to know not only his work, but the films who has inspired him along his whole career.
Starting with 1998’s “Rushmore,” the Northwest Film Center program will feature screenings of Anderson’s eight features, including now classics like “The Royal Tenenbaums” and “The Life Aquatic with Steve Zissou.” Matt Zoller Seitz, the film critic and RogerEbert.com editor-in-chief who literally wrote the book on Anderson (“The Wes Anderson Collection”) will introduce “The Royal Tenenbaums.”
“Wes’s World” will also include showings of films by François Truffaut, Jacques Cousteau, Werner Herzog, Jean Renoir and Hal Ashby, among others.
Check out the program’s trailer below. The full lineup can be found here, on the Northwest Film Center’s website.
(If you have any Wes-related GIFs, send them to edwardappleby at yankeeracers dot org. We will share them in a future post.)
More after the break…
- Updated Radio and Library sections
- Polls and Quizzes
- Character Features
- A return to musical features
- …and much more.
And now, for our meat and potatoes, this week’s news:
- (Above): A fresh-faced Wes Anderson as pictured in Esquire, circa February 1999.
- We’re very pleased to learn that Matt Zoller Seitz will be publishing a book on Wes this Spring, with essays on all of his films and an interview with Wes. In the mean time, read pal Derek Hill‘s wonderful book.
- This is old, but getting passed around again, Pussy Goes Grrr’s great examination of a key shot in The Royal Tenenbaums. You can also read their entry for The Film Experience‘s “Hit Me With Your Best Shot” series, of which Tenenbaums is the current focus.
- Wes was interviewed on The Treatment podcast and claims that he doesn’t write his films around any specific theme. Mere coincidence, I guess.
- A Quora user thoughtfully posits why Wes’ camera movements seem so unique.
- In case you haven’t yet planned your summer road trip, consider heading to Rhode Island and discovering some of the filming locations for Moonrise Kingdom for yourself.
- And finally, if you’re in Toronto, hopefully you’re aware of tonight’s “This is an Adventure: Wes Anderson Themed Party” at Studio 407. Tonight’s party should be good practice for your WA themed Halloween costume. (hint, hint)
We made a mistake?
- Life would be so much more awesome if this article was actually true.
- A Bill Murray comic comic book? Sign my kid up! I have the therapy sessions for 2025 scheduled, anyway.
- Our new pal Roland MacDonald (no relation) sent along the above fanart.
- My eyes burnt up when I saw this.
- I think that this is lame, but you are entitled to your own opinion (sort of).
- Our friend Jeffrey wonders if he has located *the* cove. Let us know what you think.
- Wes Anderson recently offered his thoughts on Christopher Nolan and Dark Knight Rises to the UK’s Empire Online:
I enjoy Chris Nolan’s work in general, but I watched the Blu-Ray and it has a thing where you can go to any scene in the movie and go to the making of that. There’s nothing that has ever made me feel less like a professional than watching Chris Nolan’s group at work. The remote-control miniature cars. Just every technique. The rehearsal of flipping the semi-trailer end over end in the middle of the desert before they blow it up in Chicago… There’s one scene where a guy jumps off the top of a skyscraper — they rehearse the jump but for the actual thing they did it CG. ‘But for the rehearsal you did jump off the building?’ ‘We have it as a reference.’ Wow. Chris Nolan is quite great. My favourite is Memento, but I’d like to learn how to do these things.
- The Village Voice’s 4Knots festival is today in New York City. Their poster brings to mind a certain Aquatic film.
- Scouting the Moonrise Kingdom filming locations (no pun intended, or maybe intended. I don’t know about these things):
Finally, thanks to Gloria for her work on this weekly column (our condolences to her and her family). And sorry for ruining it by posting it a day late the one week that it is my job.
If you’ve ever enjoyed Wes Anderson’s keen sense of pairing just the right song with justthe right scene, you have Randall Poster to thank. NPR has a wonderful interview with Poster that focuses on his work with Wes. Poster has worked on all of Wes’s films post-Bottle Rocket, after meeting through a mutual friend.
While walking around a farmer’s market, Anderson told Poster about a piece of music that he wanted to use for Bottle Rocket but couldn’t because of a rights issue.
“I was so smitten with the film that I basically promised to get any piece of music that he ever wanted to use in a movie,” Poster says. “And that kicked us off.”
Randall Poster’s interview with NPR is a real gem and offers a very different perspective of working on an Anderson film. To learn even more about Poster’s work, a 2007 interview with the Guardian has some great blurbs about working on WA films and others.
Image of Poster on the set of The Darjeeling Limited from moviefone.
The Guardian has a nice interview with Wes regarding his style, his critical reception, working with children, and his frequent collaborators. Regarding the last, he says:
“I don’t think any of us are considered ‘normal’ people,” he says. “It’s probably more a family of crazy uncles. But there’s an energy that comes from people who are friends. Whatever chemistry is on set is going to be there in the movie, and you want some electricity that you don’t really control.”
The rest of the interview can be read over at The Guardian.