We’re very pleased to learn that Matt Zoller Seitz will be publishing a book on Wes this Spring, with essays on all of his films and an interview with Wes. In the mean time, read pal Derek Hill‘s wonderful book.
Wes Anderson recently offered his thoughts on Christopher Nolan and Dark Knight Rises to the UK’s Empire Online:
I enjoy Chris Nolan’s work in general, but I watched the Blu-Ray and it has a thing where you can go to any scene in the movie and go to the making of that. There’s nothing that has ever made me feel less like a professional than watching Chris Nolan’s group at work. The remote-control miniature cars. Just every technique. The rehearsal of flipping the semi-trailer end over end in the middle of the desert before they blow it up in Chicago… There’s one scene where a guy jumps off the top of a skyscraper — they rehearse the jump but for the actual thing they did it CG. ‘But for the rehearsal you did jump off the building?’ ‘We have it as a reference.’ Wow. Chris Nolan is quite great. My favourite is Memento, but I’d like to learn how to do these things.
The Village Voice’s 4Knots festival is today in New York City. Their poster brings to mind a certain Aquatic film.
Scouting the Moonrise Kingdom filming locations (no pun intended, or maybe intended. I don’t know about these things):
Finally, thanks to Gloria for her work on this weekly column (our condolences to her and her family). And sorry for ruining it by posting it a day late the one week that it is my job.
If you’ve ever enjoyed Wes Anderson’s keen sense of pairing just the right song with justthe right scene, you have Randall Poster to thank. NPR has a wonderful interview with Poster that focuses on his work with Wes. Poster has worked on all of Wes’s films post-Bottle Rocket, after meeting through a mutual friend.
While walking around a farmer’s market, Anderson told Poster about a piece of music that he wanted to use for Bottle Rocket but couldn’t because of a rights issue.
“I was so smitten with the film that I basically promised to get any piece of music that he ever wanted to use in a movie,” Poster says. “And that kicked us off.”
Randall Poster’s interview with NPR is a real gem and offers a very different perspective of working on an Anderson film. To learn even more about Poster’s work, a 2007 interview with the Guardian has some great blurbs about working on WA films and others.
Image of Poster on the set of The Darjeeling Limited from moviefone.
The Guardian has a nice interview with Wes regarding his style, his critical reception, working with children, and his frequent collaborators. Regarding the last, he says:
“I don’t think any of us are considered ‘normal’ people,” he says. “It’s probably more a family of crazy uncles. But there’s an energy that comes from people who are friends. Whatever chemistry is on set is going to be there in the movie, and you want some electricity that you don’t really control.”
Exciting news for fans of pixels, Wes’ third film The Royal Tenenbaums will, as Rushmore before it, be getting a Blu-Ray re-release from The Criterion Collection. Looks like the extras will be identical to the terrific DVD release. You can check out the still great, albeit admittedly familiar, artwork by Eric Chase Anderson below. The Blu-Ray will be available in the US on 8/14.
The great designer (and drummer) Sam Smith has created a series of posters for The Castro Theater’s screenings of The Royal Tenenbaums and The Life Aquatic for this Saturday. Check out the posters below. To find alternate versions of the posters, and info on where you can buy them, visit Mr. Smith’s tumblr.