Darjeeling Wraps Shooting in India

From India eNews.com

Hollywood stars Owen Wilson and Adrian Brody have completed the last leg of shooting schedule for the Darjeeling Limited in this city of palaces and lakes known as the Venice of the East.

The Academy Award-nominated American actor-writer along with co-stars Broody and Jason Schwartzman are had landed here Jan 17 and spent about eight hours every day shooting for the India-centric film. The stars and the film unit are expected to leave for home later Tuesday.

Also Bill Murray will be a guest on tonight’s episode of The Late Show with David Letterman. Bill will help Dave celebrate his 25th year on late night television. I will try and get a video up if he mentions anything related, and post it here for those who miss it.

“The Life Examined with Wes Anderson” {archive}

New York Magazine, December 20, 2004

What did the idiosyncratic director do with his first full-size budget? He put Bill Murray into a father-figure role, and gave him a speargun.

Wes Anderson’s The Life Aquatic With Steve Zissou looks, at first, as though it’s the inevitable final entry in what you might call Anderson’s Great-Search-for-a-Father-Figure Trilogy. It’s of a piece with previous Anderson movies like Rushmore (1998) and The Royal Tenenbaums (2001), in that it features a selfish bastard (Bill Murray in the first; Gene Hackman in the second) who, in crumbling middle age, decides it’s important to impart some of his wisdom, or at least his hard-won cynical savvy, to a young man who views him as a father figure, if not an actual father. What’s with the dad thing, Wes?

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“Funny Men Bill Murray & Wes Anderson” {archive}

Interview (magazine), February 1999

Not since the mid-to-late ’80s — the days of movies like Blue Velvet, True Stories, Raising Arizona, and Something Wild — has there been a slice of post-modern Americana as funny, thoughtful, and downright weird as the unmissable Rushmore. The film tells the tale of fifteen-year-old nerd entrepreneur Max (played by astounding newcomer Jason Schwartzman), who gets tycoon Mr. Blume (Bill Murray) to sponsor his madcap schemes so he can impress the schoolmarm he desires (Olivia Williams), only for the melancholy millionaire to fall for her himself.

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If I Can Dream {archive}

The Everlasting Boyhoods of Wes Anderson
From the Lawnwranglers.com Archive
Film Comment, January/February 1999
by Mark Olsen

Unlike many writer-directors of his generation, Wes Anderson does not view his characters from some distant Olympus of irony. He stands beside them — or rather, just behind them — cheering them on as they chase their miniaturist renditions of the American Dream. The characters who inhabit Anderson’s cinematic universe, a Middle West of the Imagination, embody both sides of William Carlos Williams’ famous edict that the pure products of America go crazy, being, for the most part, both purely American and slightly crazy. Though some might label his people losers, or even invoke that generational curse, slackers, they are in fact ambitious and motivated overreachers, misguided though their energies occasionally are.

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