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26
Sep

To celebrate reaching 5000 followers on Twitter, Toy Story 3 director Lee Unkrich made this semi-Andersonian video, aided by Mark Mothersbaugh.
Slow news day.
2 com
USA Today has a new interview with Mark Mothersbaugh:
I was already scoring movies at that point, and I got a call from somebody at Sony who said, “We’ve got this interesting film with a difficult director, and you’re the only person he wants to talk to about scoring his movie.” And I thought, “Oh, no.” I went to see his movie, and when I was watching Bottle Rocket, I think they set a record for more people walking out than any other film this focus group had ever worked on. But I thought, “This guy has a really interesting take on our culture right now.” So I really wanted to meet him, and we just really hit it off. We ended up doing four films.
And, Ted Hamilton muses over the commercialization of the muse:
But where do these ideal artists exist? Even outside of visual art, it’s hard to find truly anti-establishment creators. I remember the sinking feeling in my chest when Wes Anderson debuted an ad for the American Express’ “My Life. My Card” campaign, and the sense of bewilderment and betrayal when Bob Dylan signed up for an Apple ad two years later. Everyone, it seems, is on the gravy train. And those who aren’t — well, they’re invisible.
Thoughts?
Keep the Webicon.me art coming, and check out the entries so far!
noneFrom Paste:

noneMark Mothersbaugh plans to tickle our fancies this spring, when he tours the United States showcasing his artwork. The art, which has doubled as Mothersbaugh’s personal (and creative) method of diary-keeping, will travel to Berkley, Calif. and the windy city of Chicago in an exhibition entitled “The Postcard Diaries.”
“Usually, the only way someone can get an original sketch is if I give it to them myself,” Mothersbaugh said in a statement. “I’ve sent a few in the mail, and handed others out to friends and family. I’ve probably got around 30,000 of them filed away now…and I keep making more every day. The limited edition prints are my way of sharing these personal images with other people around the world.”If displaying his most personal memories to the universe wasn’t enough, Mothersbaugh, along with the other lifetime members of Devo, has also been busy creating the soundtrack to your life, almost literally. The four men, along with a couple other composers, created the music for HBO’s first season of Big Love, the theme to Pee-wee’s Playhouse (seriously), and the soundtrack to the majority of Wes Anderson’s films. (And that barely scratches the surface of the group’s prevalence in pop-culture. Those Apple vs. PC ads? Them. Rugrats‘ music? You guessed it.)
Check out info about the opening party on Craigslist, and get ready to whip it good. (What? You knew we’d fit that in somewhere. Even if it doesn’t make much sense, Mothersbaugh would surely approve.) And, if you’re a true fan, you can always pick up a Red Energy Dome Hat to wear to the show here.
From our friends over at the Playlist:
Meanwhile, there’s been a lot of speculation (including our own) on the whereabouts of Anderson mainstay and composer Mark Mothersbaugh (who has scored all of Wes film’s up until now). We just heard from our inside source who confirmed that Mothersbaugh, will in fact, not be participating in this new Anderson film. As we’ve noted extensively, the ‘Darjeeling’ will use music from the films of Indian cinema legend Satyajit Ray and Merchant Ivory (whose early films were all set in India). Expect songs from Satyajit Ray himself as he began scoring all his own films after 1961. Our other educated guesses on the music by those aforementioned filmmaker you might hear can be read here.
P.S. Check out Rodrigo’s really fantastic piece “Wes Anderson and the Satyajit Ray Connection.”
noneRecent article: “The Visual Art of Mark Mothersbaugh”
Update: a great website w/ galleries — the visual art of mark mothersbaugh
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