Details after the break…
Darjeeling was a lot lower budget, and I feel like Fox didn’t expect huge numbers from it.
It appears with Mr Fox, that they’re going to carefully place the release date. I think this bodes well, and I think Wes’s meticulous attention to detail will translate well to clay (or whatever they use — models). I really hope Mr Fox can be upper echelon stop motion — approaching Nightmare Before Christmas status.
Certainly, Wes has accumulated more fans with each film, so all those people will be interested. What do you think Mr Fox needs to be? Light? Detailed? Epic? Rated G?
The Rushmore Academy now has over 100 followers on Twitter. Follow us!
Because of a recent onslaught of spamming, automatic activation of new accounts on the Yankee Racers forum has been temporarily suspended. In order to activate your account, send an e-mail to edwardappleby @ yankeeracers.org (no spaces). We encourage you to drop by the forum.
If you are in the Dayton (Ohio) area, be sure to stop by the Dayton Dirt Collective for a screening of Rushmore on Sunday at 6:00 p.m. (details).
BONUS DISC: a Wes-inspired design project.
New user registration on the Yankee Racers forum will require moderator activation until further notice.
Please e-mail edwardappleby @ yankeeracers.org from the registered e-mail address to expedite this process.
Jessica over at the Yankee Racers forum posted this tidbit a while ago, but I never shared it on the site. On her very cool site GOOP, Gwyneth Paltrow (The Royal Tenenbaums) recently asked “five brilliant directors (four of whom I have worked with and one who I worship) to share their top five DVD rental picks.”
Wesley Wales Anderson answered as follows:
(Wes Anderson directed Bottle Rocket, Rushmore, The Royal Tenenbaums, etc. He is one of the most specific directors I have ever worked with. When I played Margot in The Royal Tenenbaums, he knew exactly how he wanted my hair, clothes and eye makeup. He is so inspiring to work with because you feel like you are the one crazy, important color he needs to create the whole picture. Also, he is a great dresser.)
Barbet Schroeder’s great documentary, Terror’s Advocate, also relates to another one I would highly recommend, which is Marcel Ophüls’ documentary Hôtel Terminus (except I think you can only get it on VHS). There is kind of a miniature version of Terror’s Advocate in the middle of it.
Neon Genesis Evangelion
This is a Japanese cartoon that is very difficult to describe and might not sound that great if I tried anyway. It is 24 episodes, and we watched them all in less than a week because you start to want to believe it’s real. This could spawn something like Scientology.
From the Life of Marionettes
I’d never heard of this until last month. It’s an Ingmar Bergman movie he made in Germany where I think he was a tax exile.
The Martin Scorsese part of New York Stories. It’s about a painter.
The folks over at the Upright Citizen’s Brigade have made a parody of Wes’ filmmaking (The Royal Tenenbaums, specifically). I can’t decide if I think it is funny or not.
You can now follow us on Twitter @rushmoreacademy.com.
- The gallery is back up and working. Send your images and scans to edwardappleby @ yankeeracers.org!
- The film scripts, press kits, and credits are now available in the library.
- In addition to the normal radio station powered by last.fm, we have added a second channel of music from our Academy Books Music Room (sponsored by Amazon).
And, don’t forget that the Wes Webicon contest is still on! I will post some new entries later today.
A few years back, some of the Yankee Racers organized a Wes Anderson Film Festival.
We want to try it again. We would put up a chat room, meet at a designated time, and press play simultaneously. What do you think? What film should we watch together first?
Yankee Racer RunBuckleyRun just posted his/er two silent shorts on the forum, presented here for your viewing pleasure. Discussion here.