Spifftacular is a blog about a mum and a wife who like nerd stuff and also to do handicrafts. Well, it seems like she is a big fan of “Fantastic Mr. Fox”, and she wanted to do a thematic birthday for her baby.
How to do a Fantastic Mr. Fox birthday? She has it all planned.
With the first movies, we thought he would be like Woody Allen, whose credits always look like the same, but then he changed. First he added an image, then changed the color and then he changed the font! If you ask me, I think he has become more elegant over the years, and you can also see that in the credits.
And by the way, tell me you can see these images and not mentally listen to the songs that play at the end of his movies.
Jacob Weisberg sat down with Wes for an extended interview to discuss his auteur style, his commercials as mini-movies, stop-motion animation, and the pleasures of working with Bill Murray, along with answering Slate reader questions for the Conversations with Slate series. Two installments have been released so far, with others to be added as the week goes on (and TRA will be there to update this post!)
Here is the first installment, in which he discusses the casting of the adolescent leads, his childhood experiences, and his love-affair with Francois Truffaut:
Esteemed French cinema journal Cahiers du Cinéma, once home to nouvelle vague pioneers Jean-Luc Godard, Francois Truffaut and Eric Rohmer, among others, has named Fantastic Mr. Fox the #5 film of 2010. The film received general release in France on February 17, 2010. To read more about the French release, please visit our older posts on the matter.
From the Guardian, full interview after the break.
Portrait of the artist: Wes Anderson, film director
Interview by Laura Barnett
What got you started?
Filming thrillers and jungle chases on Super 8 when I was about 10. I was trying to imitate Raiders of the Lost Ark, Star Wars and, above all, Hitchcock. Watching The Man Who Knew Too Much made me realise that there was such a thing as a director.
What was your big breakthrough?
Making my first proper short, Bottle Rocket, with Owen Wilson on 16mm film when I was 23. Nobody was interested in it except [director and producer] James L Brooks, who picked it up and let us turn it into a full-length movie.
What have you sacrificed for your art?
Well, I’m 40 and I don’t have children yet. I do want to have them: perhaps I already would, if I wasn’t so involved with these movies.
The Playlist blog has uncovered (via Film Music Reporter) a new release of Alexandre Desplat’s Academy Award nominated score from Fantastic Mr. Fox. The collection features unused music from Desplat’s score, recorded at the famous Abbey Road studios. You may remember that a a similar, albeit unofficial release was done of Mark Mothersbaugh’s music for The Royal Tenenbaums and The Life Aquatic was done during the awards campaign, and that there was an official release of the Seu Jorge sessions done for the latter film aswell.
You can see a full tracklisting, along with links to purchase the collection, after the break.
Dave Poland at Movie City News has a rather informal, half-hour interview with Wes on the Awards campaign trail. Click on the image below to find the interview, it will load automatically in Quicktime.