On February 21st 1996, Bottle Rocket was released, the first feature film directed by Wes Anderson.
Film critic Matt Zoller Seitz wrote this beautiful article to commemorate this special date.
Wes Anderson and Owen Wilson exiting Columbia Pictures offices after signing deal to make Bottle Rocket, which was released 20 years ago this week.
Source: Consequence of Sound facebook.
Continue reading “20 years ago”
In the new Interview, Owen Wilson talks to his friend Woody Harrelson about playing poker and his great new film The Messenger. Read the full interview here, or after the break.
Woody Harrelson could so easily have remained the adorable goof behind America’s favorite bar forever. It’s hard to believe now, but for a while playing Woody Boyd on the sitcom Cheers seemed like the summit of Harrelson’s career. (Is there a quicker way for an actor to become typecast than to share a name with a character?) But the Texas-born yearling made quick work of landing choice film roles in Hollywood after the iconic Boston bar shut down operations in 1993. Harrelson went from starring in one of the most violent, experimental, and relentlessly criticized films of the 1990s (Oliver Stone’s Natural Born Killers, 1994) to starring in one of the most violent, experimental, and universally praised films of the 2000s (the Coen brothers’ No Country for Old Men, 2007), with an Oscar-nominated turn as Hustler magazine publisher Larry Flynt (in Milos Forman’s The People vs. Larry Flynt, 1996) in between. The 48-year-old Harrelson has had an unpredictable, brilliantly bipolar career that no one—let alone the actor himself—could have anticipated. Continue reading “Owen Wilson Interviews Woody Harrelson”
In this month’s Interview, Owen Wilson talks to Stephen Dorff about Dorff’s career and his role in Sofia Coppola’s upcoming film Somewhere.
DORFF: Her scripts are famously short. She doesn’t write everything down and spell it out for the reader; I think she leaves a lot in private.
WILSON: It’s better. I always think it’s hard to read scripts because, first of all, a lot of the time they’re just boring. It’s hard to read a script from start to finish, like a book, and enjoy it just for itself. The script is supposed to be the blueprint for the movie. So you can read a script and be like, Okay, but then it can turn into a good movie. I feel like I’ve only read a couple scripts ever where I thought, Wow. I remember being in Dallas, and one of the guys who helped us with Bottle Rocket  knew Quentin Tarantino when Reservoir Dogs  was happening. He had a copy of True Romance , and I remember he gave that to me and Wes. That script seemed so great, just so exciting and different from everything. It’s nice to read something that has its own voice, and Sofia’s script obviously does.
Read the full interview in at their website, and here’s the other interview Wilson refers to with Bottle Rocket enthusiast Tony Shafrazi.
(ed’s note: Welcome to our newest contributor, South Paw!)
As “The Darjeeling Limited” is nearing the end of its Australia run, it’s time for us to take a look at how the film has fared. Jason Schwartzman took a promo trip down under a short while ago, and though we can’t take a trip ourselves, we’ll soar the internet skies instead. Below is a look at what the Aussies have been saying about Mr. Anderson’s latest. A couple of these links have been posted before, but have been included again here for your convenience. Enjoy!
The charmingly-named Wollondilly Advertiser (Wollondilly Shire is just south of Sydney in New South Wales and supplies the city with most of its waters) reviewed TDL in its January 22, 2008 Edition in “Oh Brothers, What an Amazing Journey”. The WA described TDL as “unpredictable and “impossible to categorize”, but also that it “has elements of a travel adventure, it is partly family drama, it is often funny and sometimes downright bizarre.” Overall a positive review, “breath of fresh air” for audiences and the good people of the Shire.
Continue reading “The Antipodean Anderson”