One of the Paste Magazine bloggers, Laurie Delk, just published an article with a few drinks inspired in Wes Anderson movies.
From Steve Zissou’s simple Campari on the rocks in The Life Aquatic to the ubiquitous Bloody Mary, enjoyed by both Richie in The Royal Tenenbaums and Natalie Portman’s unnamed character in the short Hotel Chevalier, a character’s choice in drink tells us a little more about who they are, via Mr. Anderson.
See it here.
Now if you’ll excuse me, I’m going to go on an overnight drunk, and in 10 days I’m going to set out to find the shark that ate my friend and destroy it.
From July 12 to August 31, the Northwest Film Center in Portland will present “Wes’s World: Wes Anderson and His Influences”, an opportunity to know not only his work, but the films who has inspired him along his whole career.
Starting with 1998′s “Rushmore,” the Northwest Film Center program will feature screenings of Anderson’s eight features, including now classics like “The Royal Tenenbaums” and “The Life Aquatic with Steve Zissou.” Matt Zoller Seitz, the film critic and RogerEbert.com editor-in-chief who literally wrote the book on Anderson (“The Wes Anderson Collection”) will introduce “The Royal Tenenbaums.”
“Wes’s World” will also include showings of films by François Truffaut, Jacques Cousteau, Werner Herzog, Jean Renoir and Hal Ashby, among others.
Check out the program’s trailer below. The full lineup can be found here, on the Northwest Film Center’s website.
“Mel’s Mini Mini Mart” is a new ad for Oreo that really, really looks like if it were done by Wes Anderson. There is a narrator and the camera often places like in many of the iconic stills from his movies. Even the score could be in one of Wes’ movies. Don’t you agree?
Ad executives at The Martin Agency, who copped to being Anderson fans themselves, said they didn’t purposely set out to mimic the filmmaker’s distinctive tone and tactics. They wanted to make a piece of content that felt more cinematic and less like a typical commercial for Mini Oreos, a product that hasn’t had any advertising for years.
“There were a number of influences and it’s flattering that anyone sees Wes Anderson in it,” White said, “As soon as we wrote it, we just had so much love for it.”
And I gotta admit I love it, too.
Source: Mashable (where you can watch another ads inspired by Wes)
It’s here, it’s finally here! It’s opening day! Buy your tickets early and often to support Wes and luxuriate in his newest cinematic masterpiece (and confidentially, as few of our editors have already seen the film, we can confirm it’s as wonderful as you had hoped.)
With that said, it’s time to get down to brass tacks, here’s your Friday Round-up:
- Slate’s Wes Anderson Bingo cards will be a fun addition to your (many, many) viewings of Moonrise.
- Wes Anderson’s list of 10 favorite New York movies has a few surprises. (Hannah and Her Sisters over Manhattan or Annie Hall? Blasphemy!)
- Jason Schwartzman is still a charmer in his brief Guardian interview, discussing his role in Moonrise.
- The New York Observer’s extremely negative review (click if you dare) is thankfully an outlier. Moonrise Kingdom is currently at 96% on Rotten Tomatoes.
- Forbes has an interesting article, What Wes Anderson Can Teach Us About Advertising, that espouses the power of successful branding.
- In honor of opening day, Skull and Stripe did a Moonrise-inspired fashion round-up.
- For something a bit sweeter, Green Wedding Shoes did a Moonrise-styled elopement photoshoot, including a reenactment of the romantic, “I will meet you in the meadow” scene.
- Finally, we fully endorse the New Yorker’s headline: What To See This Weekend: “Moonrise Kingdom,” Twice. The glowing review isn’t bad, either.
The Guardian has a nice interview with Wes regarding his style, his critical reception, working with children, and his frequent collaborators. Regarding the last, he says:
“I don’t think any of us are considered ‘normal’ people,” he says. “It’s probably more a family of crazy uncles. But there’s an energy that comes from people who are friends. Whatever chemistry is on set is going to be there in the movie, and you want some electricity that you don’t really control.”
The rest of the interview can be read over at The Guardian.
Jacob Weisberg sat down with Wes for an extended interview to discuss his auteur style, his commercials as mini-movies, stop-motion animation, and the pleasures of working with Bill Murray, along with answering Slate reader questions for the Conversations with Slate series. Two installments have been released so far, with others to be added as the week goes on (and TRA will be there to update this post!)
Here is the first installment, in which he discusses the casting of the adolescent leads, his childhood experiences, and his love-affair with Francois Truffaut:
See the second installment after the jump. Continue reading
I screencap only the title cards from each movie, chronologically from the Bottle Rocket short up to Moonrise Kingdom. Right now I’m at The Life Aquatic with Steve Zissou.
Check out the rest of their images at the blog.
On June 2nd, The Chicago Arts District Gallery 27 will be unveiling “Futura: An Art show tribute to Wes Anderson”
Fans of Wes Anderson can attend to celebrate the release of “Moonrise Kingdom,” by purchasing a limited edition print or original artwork created by talented artists, designers, and illustrators from all over the world. Gallery 27 doors will officially open on Saturday, June 2nd from 6:00 pm – 10:00 pm. Free to get in and free to view the exclusive works of Chicago and the world’s best and brightest artists.
[flyer by Derek Eads]