Frequent collaborators Wes Anderson and Noah Baumbach have made a video together for a good cause: to help Frank Marshall and Peter Bogdanovich get the lated release of Orson Wells’ final film, called “The other side of the wind”, a real thing. The project they are supporting is on Indiegogo and you can go there to read more about it and, if you’d like, donate money.
If you haven’t heard of The Other Side of The Wind, it was supposed to be Orson Welles’ comeback title. After years spent working in Europe, Orson returned to Hollywood intent on making a film about filmmaking, but managed to hit an obstacle at every turn and, although he finished shooting it, he did not finish editing and the film was never released.
I’m sure that there are a lot of people who would love to live in a Wes Anderson’s movie. Unfortunately, this is not possible. But we have something close to it. And it’s called Bar Luce and it’s part of the Fondazione Prada, in Milan.
“While I do think it would make a pretty good movie set, I think it would be an even better place to write a movie. I tried to make it a bar I would want to spend my own non-fictional afternoons in”, said the designer Wes Anderson, who created a place as beautiful as his movies, but tridimensional.
The bar opened on on May 9 and if you can’t go there yet, I recommend you to see the pictures under the tag #BarLuce on instagram (and if you visit it, take a picture!).
You can visit Bar Luce, Largo Isarco, 2, 20135 Milano, Italy
(Yes, what you see there it’s a Zissou flipper!)
Wes Anderson was present at the premiere of Noah Baumbach’s latest film “While we’re young“. According to Variety.com:
“While We’re Young” was introduced by A24’s David Fenkel, and the after-party was held at Lexington Brass. Wes Anderson, who stayed through the film’s end credits and took selfies with fans waiting outside, walked over with Vogue editor Grace Coddington. The “Moonrise Kingdom” director was later seen chatting in a dark corner of the party with another powerful New York filmmaker — Spike Jonze (who said he still hadn’t seen the “Girls” finale, on which he had a cameo as a music executive).
In the pictures we can also him reunited with Ben Stiller, who stars in Baumbach’s movie.
This video is from two Graphic Design students who recreated the opening credits of The Grand Budapest Hotel in paper stop motion. Enjoy!
Source: Behance (where you can also watch pictures from the video and the backstage).
This Q&A hosted by Richard Linklater was for The Grand Budapest Hotel at this year’s SXSW and now you can watch it entirely. 45 minutes long. You can’t miss it!
One of the Paste Magazine bloggers, Laurie Delk, just published an article with a few drinks inspired in Wes Anderson movies.
From Steve Zissou’s simple Campari on the rocks in The Life Aquatic to the ubiquitous Bloody Mary, enjoyed by both Richie in The Royal Tenenbaums and Natalie Portman’s unnamed character in the short Hotel Chevalier, a character’s choice in drink tells us a little more about who they are, via Mr. Anderson.
See it here.
Now if you’ll excuse me, I’m going to go on an overnight drunk, and in 10 days I’m going to set out to find the shark that ate my friend and destroy it.
From July 12 to August 31, the Northwest Film Center in Portland will present “Wes’s World: Wes Anderson and His Influences”, an opportunity to know not only his work, but the films who has inspired him along his whole career.
Starting with 1998′s “Rushmore,” the Northwest Film Center program will feature screenings of Anderson’s eight features, including now classics like “The Royal Tenenbaums” and “The Life Aquatic with Steve Zissou.” Matt Zoller Seitz, the film critic and RogerEbert.com editor-in-chief who literally wrote the book on Anderson (“The Wes Anderson Collection”) will introduce “The Royal Tenenbaums.”
“Wes’s World” will also include showings of films by François Truffaut, Jacques Cousteau, Werner Herzog, Jean Renoir and Hal Ashby, among others.
Check out the program’s trailer below. The full lineup can be found here, on the Northwest Film Center’s website.
“Mel’s Mini Mini Mart” is a new ad for Oreo that really, really looks like if it were done by Wes Anderson. There is a narrator and the camera often places like in many of the iconic stills from his movies. Even the score could be in one of Wes’ movies. Don’t you agree?
Ad executives at The Martin Agency, who copped to being Anderson fans themselves, said they didn’t purposely set out to mimic the filmmaker’s distinctive tone and tactics. They wanted to make a piece of content that felt more cinematic and less like a typical commercial for Mini Oreos, a product that hasn’t had any advertising for years.
“There were a number of influences and it’s flattering that anyone sees Wes Anderson in it,” White said, “As soon as we wrote it, we just had so much love for it.”
And I gotta admit I love it, too.
Source: Mashable (where you can watch another ads inspired by Wes)