“Margot’s refined style remains one of the movie’s calling cards two decades later. A gifted playwright who has been adopted into the Tenenbaum family, Margot is an outsider. That’s only underscored by her fashion sense. She’s decidedly more fashion-forward than the rest of the Tenenbaums. But her looks, while distinctive, are never over-styled. In one scene, she’s smoking in the bathroom while painting her toes and wearing a tight, nude slip dress. You get the sense that she does this very thing – in the same exact outfit – every single day.” W: “On the Scene of the French Dispatch“
“[Owen] Wilson’s mother, Laura, a photographer, is another set regular, snapping the action between takes. Here, she shares her photographs of the French Dispatch set, in Angoulême, a town in southwestern France, and, along with Anderson and Stockhausen, gives us firsthand details about the making of the film.”
“Next month, Anderson’s latest film, “The French Dispatch,” about a magazine in mid-century France that bears a striking resemblance to The New Yorker, will première in theatres across the country. With a star-filled cast that includes Bill Murray, Frances McDormand, Tilda Swinton, and Timothée Chalamet, the film traces the compilation of an issue of the magazine during a series of chapters, four devoted to the creation of individual articles. There are many things that the filmmaker gets right, as well as a few that slightly miss the mark (perhaps deliberately so). “
The latest from the MCU drops on Disney+ today and co-stars Wes’ former UT classmate and frequent collaborator Owen Wilson. According to the Irish Times:
“Marvel’s WandaVision channelled David Lynch, and there were moments when the otherwise underwhelming The Falcon and the Winter Soldier threatened to turn into an unofficial sequel to Keanu Reeve’s John Wick. So it was probably inevitable that the Marvel Cinematic Universe would eventually get around to its David Fincher moment.
That, at least, is how Loki (Disney +) is framed by its director, Kate Herron, who describes the series, which airs its first episode on Wednesday, June 9th, as “heavily influenced” by Fincher. Given that Fincher’s most recent project was the dreadful Mank, this might not be quite the endorsement she thinks it is. Nor is it especially accurate – if Loki’s enjoyable if often slight opening episode resembles anything it’s Doctor Who remade by Wes Anderson.”
Apparently The Grand Budapest Hotel has restored Stefan Zweig’s (The Author whose work the movie is loosely based on) fame to it’s past glory, as earlier this summer German director Maria Schrader’s movie titled “Stefan Zweig: Farewell to Europe” has premiered in Germany. As of yet not much is known about when the film might see the light of day outside of Germany, there isn’t even a trailer with English subtitles, but the film has been placed on a shortlist of films that that could be selected as the German submission for the Best Foreign Language Film at the 89th Academy Awards.
The film has so far received good reviews in Germany, though none have been published so far in English. Hopefully this film gets picked up by the international press as it deserves to be, and maybe even nominated for the Award, even if just for the reason that it’ll be shown in more countries then.
In 1996, Wes Anderson made his directorial debut with the feature film Bottle Rocket. A large majority of the movie took place at the Windmill Inn in Hillsboro, Texas. Due to the economic downturn the motel’s business suffered, thus the Save The Bottle Rocket Motel event was conceived and became reality in July of 2011. Because Wes Anderson fans tend to be more sentimental than any other fans there was a huge turned out for the event.
Attendees enjoyed Alamo Drafthouse’s showing of the film with none other than Bob Maplethorpe himself, Robert Musgrave in attendance. After the film came to an end, old and newfound friends took to the pool and motel grounds in a late night party full of laughs and libations. When all was said and done the event was a success and the motel was saved. The magic happened once again in July 2012 with the event being fittingly renamed Lovely Soiree at the Bottle Rocket Motel. Fans came from all over the country to partake in the festivities which once again included a showing of Bottle Rocket, courtesy of Alamo Drafthouse Theaters.
This year, on July 27th 2013 throw on you yellow jumpsuit, pop the clutch on your moped and head to Hillsboro, Texas to join us and dozens of fellow film fans for the 2013 Lovely Soiree at the Bottle Rocket Motel and take part in what has become the highlight of the summer (in Hillsboro, Texas… at a motel that was in a movie)!
It is important that you call the motel directly @ 254-582-3493. DO NOT BOOK YOUR ROOM USING THE DAYS INN WEBSITE.
With all of the casting confusion the internet is producing, we’re happy to set the record straight and report that both Variety and the Hollywood Reporter (THR) have confirmed Ralph Fiennes is in negotiations for Wes Anderon’s The Grand Budapest Hotel. He’s set to play a character named M. Gustave, who serves as the hotel’s perfectly composed concierge. This role was originally reported to be filled by Johnny Depp, but Wes Anderson denied this two months ago. But Anderson’s frequent cronies Bill Murray, Owen Wilson and Jason Schwartzman are in the cast. Couldn’t imagine an Anderson without them. Fiennes recent projects have been acting alongside Daniel Craig in 007: Skyfalland portraying Charles Dickens in The Invisible Woman.
Also, THR has noted that Murder She Wrote‘s Angela Lansbury is no longer involved with the movie due to commitments to a stage version of the Academy-award winning film Driving Miss Daisy (also a Pulitzer Prize winning play). Lansbury has been performing on stage every year for the past six years. Lansbury will be playing alongside James Earl Jones and will open next year at Her Majesty’s Theater. Tickets will be on sale October 22nd.
The Guardian has a nice interview with Wes regarding his style, his critical reception, working with children, and his frequent collaborators. Regarding the last, he says:
“I don’t think any of us are considered ‘normal’ people,” he says. “It’s probably more a family of crazy uncles. But there’s an energy that comes from people who are friends. Whatever chemistry is on set is going to be there in the movie, and you want some electricity that you don’t really control.”