Wes recreates Joseph Cornell’s NY studio at Gagosian Paris

Photo credit: Collection Duff Murphy and Janice Miyahira © Terry Schutté

From Gagosian:

[We are] pleased to announce The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson, an exhibition conceived by curator Jasper Sharp and the acclaimed American filmmaker. Opening December 16, 2025, it brings the artist’s New York studio to the heart of Paris, transforming the storefront gallery at 9 rue de Castiglione into a meticulously staged tableau—part time capsule, part life-size shadow box—for the first solo presentation of Cornell’s work in Paris in more than four decades…

It is this world that Anderson and several of his longtime collaborators, together with exhibition designer Cécile Degos, now bring to life in Paris through more than three hundred objects and curiosities from Cornell’s own collection. Within this evocative setting, several examples of the artist’s shadow boxes—poetic reliquaries of memory and imagination—are on view, including Pharmacy (1943), which was once owned by Teeny and Marcel Duchamp and is modeled after an antique apothecary cabinet. Untitled (Pinturicchio Boy) (c. 1950), an iconic work from Cornell’s celebrated Medici series, frames multiple reproductions of Bernardino Pinturicchio’s Portrait of a Boy (c. 1480–82) behind amber-tinted glass, juxtaposing them with guidebook maps of Italian streets and wooden toys. A Dressing Room for Gille (1939) pays homage to Jean-Antoine Watteau’s Pierrot (1718–19), also known as Gilles, in the collection of Musée du Louvre, a short walk from the gallery. And Blériot II (c. 1956) honors Louis Blériot, the French inventor who was the first person to make an engine-powered flight across the English Channel. Alongside these works are loans from the Joseph Cornell Study Center at the Smithsonian American Art Museum in Washington, DC, including a number of unfinished boxes by the artist that provide a rare glimpse into his process.

Where: 9 rue de Castiglione 75001 Paris
When: December 16, 2025–March 14, 2026

#otd 27 years ago, Rushmore was released

It inspired my interest in film, and this website.

Wes Anderson Film Archive feat. in A/V Club’s best pop culture gifts

The recently released Criterion Wes Anderson Film Archive sits atop The Onion A/V Club’s 2025 list of best pop culture gifts. Buy it here!

Known for its meticulously considered DVD releases, Criterion outdid itself with its new 20-disc Wes Anderson collection. Containing the director’s first 10 films on 4K UHD DVD, the Anderson Archive brings the auteur’s precise design sensibilities to this stunning box set. At $400, the price dares potential purchasers to wait for one of Criterion’s many 50% off sales. Still, with the holidays around the corner, it’s a hefty, luxurious gift for the extremely lucky Anderson fanatic in anyone’s life, or the perfect start to a burgeoning cinephile’s physical media collection. We highlighted the collection back in the fall, but it bears repeating: This set contains new 4K masters of the director’s first 25 years of output, running from his early breakout Bottle RocketRushmore, and Royal Tenenbaums through 2021’s The French Dispatch. His two stop-motion features, Isle Of Dogs and The Fantastic Mr. Fox, appear alongside 25 hours of special features, 10 illustrated books, and new essays from writers Richard Brody, Bilge Ebiri, and Moeko Fujii, as well as filmmakers James L. Brooks and Martin Scorsese. Could we ask for anything else? Sure, Asteroid City and The Phoenician Scheme. For now, this is most satisfactory.

– Matt Schimkowitz, A/V Club

Wes Anderson The Archives at the Design Museum

I went! It was the best day of my life! Information and tickets here.

Here’s a lovely five-star review piece from last weekend’s Sunday Times.

The French Dispatch (Anderson, 2021) and Mon Uncle (Tati, 1958)

credit: r/wesanderson

Wes Anderson: “I am not a meme.”

From a great interview with Inverse:

When I'm making a movie what I'm focusing on is the story, the characters, what's different about that movie. But what ties them together is something to do with me, and it's almost like my handwriting, [the] visual thing. It's the surface of the movie, but I get that it takes people about five seconds before they can say, "I know who directed this." I don't choose that so much as that's just what it's like when I do it. And I like that people can be inspired to make their own things that way. I'm not imitating me. I am me. So sometimes I feel a bit like I get put on the defensive because I am not a meme. I am myself. I'm the actual me. I'm not an AI.

New Montblanc short: “Let’s Write”

From Montblac, producer of the world’s finest pens (and some other stuff):

“We are proud to present “Let’s Write,” the next chapter in our ongoing collaboration with visionary filmmaker Wes Anderson. The new campaign, with a short film by Wes Anderson, returns to the Montblanc Observatory High-Mountain Library in a literal, metaphorical, and poetic journey—one that celebrates writing, creativity, and Montblanc’s unique spirit of storytelling.”

“Let’s Write”

Director: Wes Anderson

Actors: Rupert Friend, Michael Cera, Wes Anderson, Waris Ahluwalia & Esther McGregor.

Co-director: Roman Coppola

Producers: Jeremy Dawson & John Peet Production

Designers: Adam Stockhausen & Stephan Gessler

Director of Photography: Darius Khondji

Costume: Milena Canonero

Production: Babelsberg Production Group

AMERICAN EMPIRICAL PICTURES in association with THE DIRECTORS BUREAU

Polaroids from the NYC premiere of The Phoenician Scheme

The Phoenician Scheme merch collabs

(We aren’t making any money from these. But if you want to support the site, please use our Amazon links!)

Wes Anderson x Alamo Drafthouse

NBC Universal Shop

Angelika Film Center

Wes Anderson x Five Elephant x Sunst Studio

From the Silver Screen

Wes Anderson and the cast of The Phoenician Scheme at the New York premiere