Quoting the web

David Poland wonders:

Is The Darjeeling Limited Fox Searchlight’s secret weapon of 2007 or just a happy Wes Anderson comedy? (link)

Jake Coyle, writing for the AP, argues that the last decade of film has been far better than the AFI Top 100 suggests:

According to the American Film Institute’s new list of the 100 greatest films, the last 10 years have produced only four great ones: “Lord of the Rings: The Fellowship of the Ring” (No. 50), “Saving Private Ryan” (No. 71), “Titanic” (No. 83) and “The Sixth Sense” (No. 89).

I get bloated just typing those titles. Granted, the last 10 years have been a historically weak period for films. They can’t touch Hollywood’s golden era of the ’40s, or the heralded ’70s, when maverick directors roamed the studios.

But surely, there’s been more to see in the last decade than Haley Joel Osment whispering “I see dead people.” (Pssst: I’ve seen better movies.)…

Wes Anderson’s classically quirky comedy “Rushmore” is far more than a cult flick. In a long comic lineage of oddballs, Max Fischer (Jason Schwartzman) tops them all.

Many others that weren’t on the ballot are also deserving. Two that could sit comfortably on the shelf next to “Rushmore” are “Election” and the Coen brothers'”The Big Lebowski.” The latter rises to the level of classic — after all, its whole premise is film noir held up to the funhouse mirror of “The Dude.” (link)

Jeffrey Wells dished up some harsh criticism of Wes in relation to his sometimes-collaborator Noah Baumbach. You can read it here, if you’d like. I would like to hear your comments over on the message board.

Wes Anderson’s ‘Fantastic Fox’ Script Leaks

3262

The (alleged) script for The Fantastic Mr. Fox (March 2007 edit) has been floating around. There was also an (alleged) script for The Darjeeling Limited (at natalieportman.com no less), which has been removed. I have no sense of how developed these scripts are (or if they are legitimate). I don’t plan to post any of these on the site (for personal and legal reasons). There has been some discussion of this subject as of late on the forum.

The script for Wes Anderson‘s stop-motion animated film, “The Fantastic Mr. Fox,” has leaked. The follow-up to the-not-yet-released, “The Darjeeling Limited, ” Anderson and ‘Life Aquatic’ c0-writer, Noah Baumbach adapted the script from the original Roald Dahl children’s novel. George Clooney and Cate Blanchett will voice the lead characters and rumors have it that Anjelica Huston and Jason Schwartzman will join the cast. Celebrated animator Henry Selick, apparently the real force behind “The Nightmare Before Christmas,” was scheduled to work on the film, but has allegedly moved on to other projects (namely Neil Gaiman’s “Coraline”).

URL: The Playlist blog (story)*

I really hope that the news about Henry Selick isn’t true (he is still listed as part of the project at IMDB.com). We, of course, recommend that you read the ‘fantastic’ Roald Dahl book:


* Rodrigo also notes on his blog that Noah Baumbach’s forthcoming (October 12th) Margot at the Wedding will star Jack Black, Nicole Kidman, John Turturro, and Jennifer Jason Leigh.

Wes/Bob Yeoman as one of the ‘Great Cinematographer-Director Relationships’ & a tidbit on Robyn Cohen

A really interesting article at Daily Film Dose (a great site, by the way) lists the Anderson-Yeoman collaboration as one of the ‘great cinematographer-director relationships’:

Yeoman and Anderson’s films are so distinct, one frame of one of their films is immediately distinguishable as their own. They love their wideangle, anamorphic frames, extremely overcranked slo-mo and lush saturated colours. Look for “The Darjeeling Limited” hopefully later this year.

URL: the article at Daily Film Dose

One other tidbit…

Robyn Cohen (The Life Aquatic) is the star of a new direct-to-Internet feature length film, called Zzyzx (Zi-zux). The concept is interesting (I haven’t checked out the film yet, though. Post your comments if you have.).

URL: Story about the film in the Sun Chronicle
URL: Film site

Wes Anderson American Express commercial wins AICP award

Just a little tidbit…

The Association of Independent Commercial Producers has named Ogilvy & Mather’s “Wes Anderson” for American Express the best commercial of 2006.

URL: Read about the awards in AdWeek.
URL: Watch the video at YouTube.

Clooney and Blanchett a couple of foxes?

According to The Hollywood Reporter, George Clooney and Cate Blanchett are in talks to provide their vocal talents to Wes Anderson’s adaptation of Roald Dahl’s The Fantastic Mr. Fox as Mr. and Mrs. Fox, respectively. Wes is currently editing The Darjeeling Limited in New York, and he will go to London to film Mr. Fox when he is finished.

More at Coming Soon.

Where’s Anderson? One New Yorker’s Quest For Wes {archive}

3394

Source: The Reeler blog (URL)

While enduring a walk through SoHo last week, I spotted a few photocopied posters taped to lampposts along Prince Street. They queried in blockish, hand-drawn letters: DEAR MR. WES ANDERSON, WHERE ARE YOU? SARAH, accompanied by an illustration of what I assumed was the artist guided by some hipster-auteur radar gadget in hand. “If you are Wes Anderson, know him or know how I can get in touch with him, please e-mail wesandersonsearch [at] hotmail.com,” the poster entreatied.

Continue reading “Where’s Anderson? One New Yorker’s Quest For Wes {archive}”

“The Life Examined with Wes Anderson” {archive}

New York Magazine, December 20, 2004

What did the idiosyncratic director do with his first full-size budget? He put Bill Murray into a father-figure role, and gave him a speargun.

Wes Anderson’s The Life Aquatic With Steve Zissou looks, at first, as though it’s the inevitable final entry in what you might call Anderson’s Great-Search-for-a-Father-Figure Trilogy. It’s of a piece with previous Anderson movies like Rushmore (1998) and The Royal Tenenbaums (2001), in that it features a selfish bastard (Bill Murray in the first; Gene Hackman in the second) who, in crumbling middle age, decides it’s important to impart some of his wisdom, or at least his hard-won cynical savvy, to a young man who views him as a father figure, if not an actual father. What’s with the dad thing, Wes?

Continue reading ““The Life Examined with Wes Anderson” {archive}”

Welcome to the Dahl House {archive}

August 18th, 2002 – New York Times
By Wes Anderson

My brothers and I grew up reading Roald Dahl’s stories. Our mother had gotten us nameplates to put in our books, and we used to steal one another’s copies of ”Charlie and the Chocolate Factory” and ”The Wonderful Story of Henry Sugar,” tear out the other’s nameplates and replace them with our own. Dahl was our favorite.

Continue reading “Welcome to the Dahl House {archive}”

“Road to Andersonville” {archive}

Reel.com

Welcome to Andersonville I’m a confirmed Wes Anderson fan, but then you knew that. Rushmore and Bottle Rocket (directed by Anderson, co-written by Anderson and Owen Wilson) are among my favorite films of the ’90s. I can’t wait for the next one, something about a family of geniuses living in New York.

But my admiration for Anderson’s sly brand of filmmaking pales next to Jon Doyle and Mark Devitt’s. These guys are serious. How serious? Last February they went on a Wes Anderson pilgrimage, traveling by car from their native Canada to visit various locations Anderson used for Rushmore and Bottle Rocket in Texas. A little strange, I suppose, but also charming in an oddball, Wes Anderson sort of way.

Continue reading ““Road to Andersonville” {archive}”

“On the Road” {archive}

Roughcut.com

by Andy Jones

When I heard that Wes Anderson was traveling across country on a bus to promote Rushmore, I assumed that he was driving around in a big yellow school bus. I don’t know why. But it seemed very Wes and very Rushmore — which is an odd, riotous, deeply satisfying, crushingly original film that Anderson directed and co-wrote with his good friend Owen Wilson. Both are also responsible for the equally out-there Bottle Rocket. Anyhow, it’s not a school bus. It’s a high-tech tour bus painted bright yellow and Anderson holds court in the back bedroom… with a mirrored ceiling. Very rock star. We caught up with him in Atlanta, early in the morning, between television interviews.

Continue reading ““On the Road” {archive}”