Marc Jacobs’ 2008 Darjeeling Limited collection for Louis Vuitton was commercialised in Pharrell Williams’ SS26 collection.
byu/sushitrash69 inwesanderson
10-film Wes Anderson Archive, and separate releases of Isle of Dogs and The French Dispatch for the first time coming to Criterion Blu-Ray in September!
DIRECTOR-APPROVED TWENTY-DISC 4K UHD + BLU-RAY SPECIAL EDITION COLLECTOR’S SET FEATURES
- – New 4K digital masters of Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel, Isle of Dogs, and The French Dispatch of the Liberty, Kansas Evening Sun, supervised and approved by director Wes Anderson, with 5.1 surround DTS-HD Master Audio soundtracks
- Ten 4K UHD discs of the films presented in Dolby Vision HDR and ten Blu-rays with the films and special features
- – Over twenty-five hours of special features, including audio commentaries, interviews, documentaries, deleted scenes, auditions, short films, home movies, commercials, storyboards, animation tests, archival recordings, still photography, discussions/analyses, and visual essays
- – English subtitles for the deaf and hard of hearing
- – PLUS: Essays by Richard Brody, James L. Brooks, Bilge Ebiri, Moeko Fujii, Kent Jones, Dave Kehr, Geoffrey O’Brien, Martin Scorsese, and Erica Wagner
Wes Anderson + literary
The importance of the books, of the narrators, of the narrative, in the movies made by Wes Anderson are exploded in this beautiful video made by the people from The A to Z Review. Enjoy!
Wes’s World: Wes Anderson and His Influences
From July 12 to August 31, the Northwest Film Center in Portland will present “Wes’s World: Wes Anderson and His Influences”, an opportunity to know not only his work, but the films who has inspired him along his whole career.
Starting with 1998’s “Rushmore,” the Northwest Film Center program will feature screenings of Anderson’s eight features, including now classics like “The Royal Tenenbaums” and “The Life Aquatic with Steve Zissou.” Matt Zoller Seitz, the film critic and RogerEbert.com editor-in-chief who literally wrote the book on Anderson (“The Wes Anderson Collection”) will introduce “The Royal Tenenbaums.”
“Wes’s World” will also include showings of films by François Truffaut, Jacques Cousteau, Werner Herzog, Jean Renoir and Hal Ashby, among others.
Check out the program’s trailer below. The full lineup can be found here, on the Northwest Film Center’s website.
Source: Indiewire
“Twelve Lovely Wes Anderson Cinemagraph GIFs”
(If you have any Wes-related GIFs, send them to edwardappleby at yankeeracers dot org. We will share them in a future post.)
More after the break…
Continue reading ““Twelve Lovely Wes Anderson Cinemagraph GIFs””
Wes Anderson Tumblr Blogs
With the rise in popularity of the Tumblr blog platform, we’ve seen many unique Wes Anderson-themed Tumblr blogs arise. Check out some of these Wes blogs and comment with your favorites. (Also check out our official Tumblr page here: RushmoreAcademy.Tumblr.com)
Wes Anderson Blogs:
Wes Anderson Film Blogs:
Miscellaneous:
Death and Dying in the Films of Wes Anderson
From Peter Tonguette’s new series on grief and mourning in film:
When I decided to have a look at Wes Anderson’s films for the first time since my father’s death, I wasn’t sure what to expect. In my mind’s eye, I pictured nothing but the joyous derring-do of Anderson’s protagonists, like Max Fisher leaving a case of bees in Herman Blume’s hotel room or Raleigh St. Clair listening to a private investigator’s report on his wife Margot Tenenbaum’s extramarital activities. As far as I was concerned, these movies represented the same thing Bringing Up Baby did: a happier time, now lost.
Read more at Press Play. Thanks to Matt Seitz for sending this along.
Season’s Greetings (video)
“The Darjeeling Limited” Best of the Decade
From Richard Brody’s New Yorker blog, where he ranked TDL the second best film of the 00s:
As ever with the films of Wes Anderson—the best new American director of the last twenty years—love and death, comedy and tragedy, comfort and adventure, understanding and opacity, style and substance fuse in a modernism of personal and reflexive cinema and a classicism of grand and subtle literary emotion.
New Yorker Commentary on “The Darjeeling Limited”
Richard Brody profiled Wes a few weeks ago for the New Yorker. On Brody’s excellent film blog for the New Yorker, Front Row, he added some additional commentary (and praise) for “The Darjeeling Limited”:
I’ve seen it many, many times since that press screening two years ago. It has not only held up but gotten richer; each viewing yields fresh wonders.
He also posted a short video commentary about TDL that is worth viewing: