Wes-inspired micro-hotel

NPR recenty reported on The Jane micro-hotel (and several others) in New York:

If $89 a night is still too high for your hotel budget, you can have a remarkably different experience at The Jane in Greenwich Village. The 5-by-7 rooms, former digs for sailors, offer the same level of technology as the accommodations at the Pod – including flat-screen TVs and iPod docking stations.

But the atmosphere at The Jane, housed in a building more than a century old, is straight out of Jules Verne: old-fashioned bellhops, huge keys, a backward clock, moose heads on the wall – and long-term tenants, 60 of them, who pay less than $700 a month.

“I call it the hotel at the end of the world,” says Samuel Gaedke, who has lived at The Jane for four years. “If you want to disappear off the face of the Earth for a little while, it is a good place to come to.”

The Jane’s single hotel rooms are $75 a night.

Sean McPherson, one of the owners of the hotel, has said he drew inspiration for the decor from the films Darjeeling Limited and The Royal Tenenbaums. He calls the rooms micro-chic.

“They’re very small,” he says. “They’re the size of a train cabin.”

McPherson says the hotel harkens back to the New York of the 1980s: grittier, more exotic, more adventurous – “a place for travelers with more dash than cash,” he says.

2009 Adrienne Shelly Foundation Online Auction

Adrienne Shelly (Waitress) was a talented actor and filmmaker who was tragically murdered in 2006. The Adrienne Shelley Foundation was founded in her memory to support female filmmakers, actors, and writers.  They are currently auctioning off film festival passes, autographed memorabiia, lunch meetings with celebrities, and even walk-on film roles.

Marshall Fine wonders “What is killing independent film?”

A good article over at Huffington Post:

That’s the question I’ve asked myself recently after watching any number of worthy but small movies. I come out of the screening room – or turn off the TV because I’ve had to watch a DVD screener – and thought, “This is a nice little movie – but who will ever have the chance to see it?”

Maybe these films will have a life on DVD or on cable or video-on-demand. But how will anyone hear about them if they wind up painted/tainted with that “straight-to-video” label? (read the rest)

Merchant Ivory Film Festival at The Auteurs

The really fantastic film site The Auteurs is  showing the films of Merchant Ivory, free of charge this month. The music and films of Merchant Ivory helped inspire The Darjeeling Limited.

Thanks to the dream team of American-born director James Ivory, Indian producer Ismail Merchant, and German-British screenwriter Ruth Prawer Jhabvala, Merchant-Ivory Productions set the standard for gorgeous period pieces and sophisticated literary adaptations. This month, The Criterion Collection presents six of them for free, ranging from Bollywood-tinged comedies to award-winning E. M. Forster adaptations.

Follow The Auteurs on Twitter! (we are!)

“Where the Wild Things Are” Trailer (fixed)

First look from Cinematical:

If the high-quality video above is not working:

@toddindependent says the song is an alternative version of Arcade Fire’s “Wake Up” from their album Funeral.

Mailbag

(Just a reminder: Owen Wilson will be presenting tonight’s Top Ten List on the Late Show with David Letterman.)

  • From Sean, a Rushmore-inspired music video from Company of Thieves:

The debut music video from Company of Thieves, is inspired by Wes Anderson’s Rushmore. The video for the song “Oscar Wilde” was filmed at Sycamore Elementary School in Kokomo, Indiana, over the course of just one day in December 2008. It includes over 60 props which were mostly bought from flea markets and vintage stores. The video was shot on Kodak Vision3 500T 16mm film using an Eclair ACL camera with 12mm and 14mm lenses, with 23 lighting setups. The footage was digitally transferred to uncompressed 10 bit format and edited in Final Cut. If you like the song, it’s available for free download.

Wes Lists His Favorites for Gwyneth

Gwyneth Paltrow asked her favorite filmmakers to recommend their five favorite films on her blog Goop. This illustrious list includes Wes Anderson, Steven Spielberg and Sofia Coppola.

Wes Anderson directed Bottle Rocket, Rushmore, The Royal Tenenbaums, etc. He is one of the most specific directors I have ever worked with. When I played Margot in The Royal Tenenbaums, he knew exactly how he wanted my hair, clothes and eye makeup. He is so inspiring to work with because you feel like you are the one crazy, important color he needs to create the whole picture. Also, he is a great dresser.

The site lives…

I promise. The “Yankee Review” has been temporarily delayed, but we will be working through the materials soon.

If you have news to report or commentary/literary pieces to contribute to the site, drop me a line at edwardappleby at yankeeracers.org!

Glory fades.

Meet Chiara Clemente

Chiara Clemente’s new film about New York artists “Our City Dreams” opens soon. Chiara is the partner of frequent Anderson collaborator Waris Ahluwalia. Page Six has a small profile on her:

The couple met in 2003 in Rome when Chiara was living there and Waris came to town to shoot Wes Anderson’s The Life Aquatic With Steve Zissou. “Friends gave him numbers to call while [he was] there. I had never met him but I was so excited to talk to him on the phone,” Chiara says. “It was such a familiar voice. It was a New York voice.” One year later, the pair left Italy and moved back to New York. “She was at the tail end of her stay there, realizing she didn’t want to spend the rest of her life eating and drinking aperitifs and walking around piazzas,” Waris says. “She had something bigger planned.”