Twee?

MSNBC takes a look at the summer indy flicks (including “Away We Go”) and finds the term “twee” to be a common thread in this article. The author blames none other than our man, Wes Anderson for leading the charge here (and Molly Ringwald). He doesn’t necessarily fault Wes for his style:

Twee comes in many forms in current indie cinema: At the top of the heap are stylists like Anderson and Rian Johnson (“The Brothers Bloom,” “Brick”). While these two filmmakers certainly traffic in twee visuals and other aesthetic choices, the look of their movies is so completely not of this world that these artists stand alone in their own tastefully-designed alternate universes.

What do you think: is our man twee, or too twee?

The Quest for the Holy Wes Anderson High

Over on Stickers and Donuts, Maria documents her pilgrimage to the Tenenbaum house in Harlem:

In my quest to see NYC-things before I leave NYC, I spent this Saturday cavorting around the city. I went to the Whitney, but that only paled in comparison to the pilgrimage I took with my friend George to see the house where Wes Anderson’s The Royal Tenenbaums was filmed. The house (not on Archer Avenue, not in an inconspicuous city) is actually on 144th and Convent Ave in Harlem (more).

‘Rushmore’ as Critics’ Picks Video on NYT

With the school year winding down, A. O. Scott takes a look at one of cinema’s more offbeat students, Max Fischer, in the director Wes Anderson’s 1998 film “Rushmore.”

“What makes “Rushmore” so profound and so poignant is that it tells two stories in counterpoint,” Mr. Scott says. “It’s about an adolescent coming to terms with his limitations and an artist coming into possession of his powers.” Mr. Anderson has created a signature style with his films and has gained a cult following. Are you a fan of Mr. Anderson’s films? And if so, which one do you like the best?

Watch the video.

Our new banner, designed by Ian Dingman

Ian Dingman, the artist who designed the cover of the Criterion Collection Bottle Rocket, graciously agreed to make a banner for the site.

You can see the glorious result above!  Thanks, Ian!

NYT Polaroids

Something about Polaroid photographs always reminds me of Wes Anderson. Why is that?

The New York Times has a fantastic gallery of reader-submitted Polaroids today. Check it out.

Larry Pine in “Six Degrees of Separation”

From Playbill News:

Manhattantheatresource and The York Shakespeare Company will present a staged reading of John Guare’s Six Degrees of Separation June 19 at The John Drew Theater at Guildhall.

The 7:30 PM reading, directed by Jim Lawson and produced by Donald J. Cayea, will feature the talents of Larry Pine (“The Royal Tenenbaums”), Tandy Cronyn (Cabaret), Charles Hendricks (New York Classical Theatre’s The Winter’s Tale), Mickey Sumner (“Last Chance Harvey”), Ronnie Kroell (Bravo’s “Make Me a Supermodel”) and Seth Duerr (The Acting Company’s Moby Dick – Rehearsed).

Jason Schwartzman: Yo Teach!

From geek tyrant: Another advert for something that doesn’t really exist.  These videos are apparently connected to Jason’s upcoming movie, Funny People.





“5 Ways to tell if your life is a Wes Anderson film”

From 10 minute ramble:

In Nick Hornby’s About a Boy, main character Will says, “The thing is, a person’s life is like a TV show …”

Or a movie.

And if your life is a movie, how do you know what type it is? How do you know who’s making it

Here’s five ways to tell if you’re in a Wes Anderson film.

1. You are or you see a lot of Bill Murray. He’s been in all of Anderson’s movies except one … where presumably James Caan took his place. So, Bill Murray is a good indicator your life is in the middle of a Wes Anderson plot. (Note: This also holds true if you are or you see a lot of Kumar Pallana.)

2. Your soundtrack has 70s rock-n-Roll or other obscure music. Soundtracks are the thumbprint of movies, and Anderson’s print is distinctive, colorful, out-of-the-ordinary, and a little pretentious … which pretty much reflects his movies. So, if you own Seu Jorge …

3. Your surroundings are bathed in bright, distinctive colors (unless you’re going to make a suicide attempt … then it’s cool colors). If soundtracks are one thumbprint, this is the other. Especially if you wear greens and yellows or a range of reds and oranges.

4. At the end of the day, things go in slow motion. This holds true unless you’re running after a train; then it’s slow motion, followed by regular motion. So, #4 should read “At the end of the day, or in the next-to-last part of the end of the day …”

5. You have a strange relationship with a parent or parental figure. Especially if the strange relationship involves #1.

    If more than 3 1/2 of these things describe you, smile, crank up your music, and slow down … you’re life, though crazy, is pretty good fodder for the rest of us.

    More promotional materials for the (not real) Wes Anderson Film Festival

    Previously featured here and here.

    More here, here, and here.

    Yusuf/Cat Stevens on Colbert

    Yusuf (a.k.a. Cat Stevens) was a guest on The Colbert Report a few weeks back. Two of his songs are featured on the Rushmore soundtrack, and he is one of our favorites. He has a great new album called roadsinger.

    The Colbert Report Mon – Thurs 11:30pm / 10:30c
    Yusuf
    colbertnation.com

    The Colbert Report Mon – Thurs 11:30pm / 10:30c
    Yusuf – Roadsinger
    colbertnation.com