New York Magazine‘s entertainment blog Vulture had a chance to speak with Wes and Cannes, and it’s definitely worth a read. They touch on the new European set film Wes is working on, and there’s a particularly amusing bit regarding the movie Battleship. Read the full interview here, and after the jump.
It’s hard to believe that Wes Anderson is a newcomer to the Cannes Film Festival, since his deadpan verve and Tati-influenced comic tableaus seem tailor-made for fine French sensibilities. Still, better late than never, as Anderson has finally made it to the fest with his latest film Moonrise Kingdom, a starry comedy about two 12-year-olds who fall in love and run away together (with a motley crew of concerned parents and peeved scouting troops in hot pursuit). Vulture sat down with the ivory-suited Anderson on the Croisette today to discuss the making of the movie, the legacy of The Royal Tenenbaums, and the blockbuster movie he’s only just heard of.
It’s unusual to get a movie from you outside of the fall-winter movie season. Are you becoming a summer movie auteur?
[Laughs.] Yes! That’s why it’s my first time at Cannes, actually. I’ve never had the chance to even try to get a movie here before because it’s always been ready at the wrong time. Have you been here many times?
No, this is my first time.
It’s interesting, isn’t it? You really feel they have a way of doing things here. They have a lot of rituals in place here, at least when you present a movie.
There’s a whole choreography to the opening night, a whole manner of moving, stopping, and turning, and I never knew exactly what was going on. I walked into the theater, I was being led by a cameraman, and as I entered I realized I was being projected onto the screen, gigantically, and then I realized that 2,000 people had been watching me in the auditorium the whole time while I was videoing things with my phone. Anyway!