Jason Schwartzman on NPR’s Fresh Air

Jason Schwartzman is out promoting the second season of his fantastic HBO series Bored to Death, and today he did a 40 minute interview with Terry Gross for Fresh Air, covering the show and his whole career.

“I gave the script [of Rushmore] to my mom and I said ‘Mom, I’ve never auditioned. Can you give me any pointers? Can you help me memorize lines?’ and she read the script and she said ‘I’ll be right back’ and she went out and rented three films, The Graduate, Dog Day Afternoon, and Harold and Maude. And I watched them all for the first time. And it was in that moment where I felt, watching the films, this warm, insane feeling inside of my body which was a feeling that up until then music had given me. And it was in that moment where I said ‘I don’t know if I’ll ever get this part. I don’t know if my band will ever make it. But I’ve got to try to live my life somehow staying as close to this weird feeling as possible.”

Listen to the interview after the jump, or at Fresh Air‘s site, where you can also download a podcast of the interview.

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Wes Anderson on NPR’s Fresh Air today

On today’s Fresh Air, Terry Gross interviews Wes Anderson on Fantastic Mr. Fox (thanks @nprfreshair). In all likelihood, it is a repeat of the interview done in November:

Wes on Fresh Air

Fresh Air

Wes spoke to Terry Gross on NPR’s Fresh Air earlier today. Haven’t had a chance to listen yet, but Fresh Air interviews are always worth a listen. The interview is great, probably the best Wes’ done for Mr. Foxthus far, we highly recommend it.

 To listen to or download the interview, head on over to NPR.

Wes-inspired micro-hotel

NPR recenty reported on The Jane micro-hotel (and several others) in New York:

If $89 a night is still too high for your hotel budget, you can have a remarkably different experience at The Jane in Greenwich Village. The 5-by-7 rooms, former digs for sailors, offer the same level of technology as the accommodations at the Pod – including flat-screen TVs and iPod docking stations.

But the atmosphere at The Jane, housed in a building more than a century old, is straight out of Jules Verne: old-fashioned bellhops, huge keys, a backward clock, moose heads on the wall – and long-term tenants, 60 of them, who pay less than $700 a month.

“I call it the hotel at the end of the world,” says Samuel Gaedke, who has lived at The Jane for four years. “If you want to disappear off the face of the Earth for a little while, it is a good place to come to.”

The Jane’s single hotel rooms are $75 a night.

Sean McPherson, one of the owners of the hotel, has said he drew inspiration for the decor from the films Darjeeling Limited and The Royal Tenenbaums. He calls the rooms micro-chic.

“They’re very small,” he says. “They’re the size of a train cabin.”

McPherson says the hotel harkens back to the New York of the 1980s: grittier, more exotic, more adventurous – “a place for travelers with more dash than cash,” he says.