Richard had this cake created by the Riviera Bakehouse in Ardsley, New York, for his daughter Iliana’s second birthday. Best dad ever? And it is never too early to become a fan of Wes Anderson. Happy belated Birthday, Iliana. “She is a cute little kid.”
From the Guardian, full interview after the break.
Portrait of the artist: Wes Anderson, film director
Interview by Laura Barnett
What got you started?
Filming thrillers and jungle chases on Super 8 when I was about 10. I was trying to imitate Raiders of the Lost Ark, Star Wars and, above all, Hitchcock. Watching The Man Who Knew Too Much made me realise that there was such a thing as a director.
What was your big breakthrough?
Making my first proper short, Bottle Rocket, with Owen Wilson on 16mm film when I was 23. Nobody was interested in it except [director and producer] James L Brooks, who picked it up and let us turn it into a full-length movie.
What have you sacrificed for your art?
Well, I’m 40 and I don’t have children yet. I do want to have them: perhaps I already would, if I wasn’t so involved with these movies.
The Playlist blog has uncovered (via Film Music Reporter) a new release of Alexandre Desplat’s Academy Award nominated score from Fantastic Mr. Fox. The collection features unused music from Desplat’s score, recorded at the famous Abbey Road studios. You may remember that a a similar, albeit unofficial release was done of Mark Mothersbaugh’s music for The Royal Tenenbaums and The Life Aquatic was done during the awards campaign, and that there was an official release of the Seu Jorge sessions done for the latter film aswell.
You can see a full tracklisting, along with links to purchase the collection, after the break.
Dave Poland at Movie City News has a rather informal, half-hour interview with Wes on the Awards campaign trail. Click on the image below to find the interview, it will load automatically in Quicktime.