Wes Retrospective at AFI Silver Theater and Amara Karan a Femme Fatale

The AFI Silver Theatre in Silver Spring, MD (suburban Washington, DC) is screening four of Wes Anderson’s films over the next two weeks! The Wes Anderson Retrospective is a really exciting series — an opportunity to see the films of Wes Anderson on the big screen.

Bottle Rocket
Sunday, Dec. 30, 3:00; Monday, Dec. 31, 2:45; Tuesday, Jan. 1, 12:45, Wednesday, Jan. 2, 7:00

Rushmore
Friday, Dec. 28, 7:30; Saturday, Dec. 29, 7:45; Tuesday, Jan. 1, 9:45, Thursday, Jan. 3, 7:00

The Royal Tenenbaums
Friday, Jan. 4, 7:00; Saturday, Jan. 5, 7:00; Thursday, Jan. 10, 7:00

The Life Aquatic with Steve Zissou
Sunday, Jan. 6, 12:45; Tuesday, Jan. 8, 9:20; Wednesday, Jan. 9, 9:20

In other news, ION Cinema has chosen Amara Karan (Rita, The Darjeeling Limited) as one of their Top Ten “Foreign Femme Fatales of 2007.” 

2007: She played lovely Rita – the damn cute Indian girl poking her head in and outside of the train in Wes Anderson’s The Darjeeling Limited.

2008: It was just released in the U.K and I’ve got no clue if it will make its way here, but she has a role in Barnaby Thompson and Oliver Parker school girls rule/remake called St. Trinian’s(link)

Some links, for you.

The New York Times Style Magazine has a rather lovely feature on the “smart, beautiful, and real” Natalie Portman called “Screen Goddess.”

Paste Magazine‘s “Signs of Life” Best 50 Films of 2007 included The Darjeeling Limited at #26.

Total Film has a great interview with Jason Schwartzman (thanks, David!).

Empire Magazine has a video interview with Wes Anderson. Not much new here, but it is always good to hear from Wes (thanks to Julien).

“Professional weirdo” (Guardian, U.K.)

Link

November 17, 2007, The Guardian


The Darjeeling Limited’s Jason Schwartzman has carved out a career playing freaks and geeks. Andrea Hubert meets the actor recently named ‘the coolest man in Hollywood’

Looking like a stylish, impeccably polite hybrid love child of Cher, Anthony Kiedis and Steve Carell, Jason Schwartzman sits back, one leg casually slung over the table, waiting for the interview to begin. I’ve seen this laid back stance before – on that infamous YouTube clip, where an equally unperturbed Schwartzman sits quietly, one leg on the desk, observing without drama on the set of I Heart Huckabees as director David O Russell goes apeshit on co-star Lily Tomlin. In the “comments” section below, someone remarks “I love the way Jason Schwartzman is just sitting back, chilling”. I kinda like that too.

Continue reading ““Professional weirdo” (Guardian, U.K.)”

The Rushmore Academy Gift Guide, #1


Max Fischer
Grover Cleveland High School

A little angst-ridden British Invasion music is in order, but today we saw a great compilation of Unit 4 +2 music (“Concrete and Clay,” from Rushmore):

For that angst-ridden British Invasion fix, what of Creation? (“Making Time,” Rushmore)

About this series: RushmoreAcademy.com is a non-profit website dedicated to the films of Wes Anderson. You can support the site by buying products at Amazon.com through our product links. When shopping at Amazon.com this holiday season, be sure to click through our links (even if you aren’t purchasing the page-featured item).

News, Reviews, & Elephant Pins

Darjeeling Limited did gangbusters at the box office this weekend.

“We are extremely excited about it,” Fox Searchlight’s Sheila DeLoach said Sunday. “Wes Anderson’s fans came out in droves.”

Terry Gross interviews Wes and Jason on NPR’s Fresh Air

Bill Murray’s Darjeeling Evening

Interview with Wes, Jason, Adrien on LA.COM

Article on US reaction to Darjeeling from IndieLondon

Glenn Kenny’s night at the Darjeeling premiere

Chicago Sun Times Interview with Wes

Incredibly detailed analysis of the Darjeeling marketing campaign

Interview with Wes in the New Jersey Star Ledger

Jason Schwartzman on The Early Show

Variety has an article on the New York Film Festival, which includes this alarming anecdote:

“John Powers saw an early sneak of ‘Rushmore’ and as I remember the people at Disney had no idea what to do with it. There was some talk of it going straight to video. John called and said, ‘I saw this film, it’s really terrific, can you do anything about it?’ And so I called up Disney and, to make a long story short, by inviting the film, I think we (staged) an intervention in its future.”

That was indeed an elephant pin Bill Murray was wearing, more on that here.

Poster sale

Preface: We have no affiliation with DeepDiscount.com, so we make no profit from this plug.

DeepDiscount.com, a site probably most famous for their free shipping, is having a buy one, get one free sale on posters (mostly 11″ x 17″ reproductions). And, they have a very nice selection of Wes Anderson posters.

Search for…

“Underclass Overachiever / Weary Former Success”

I have neglected to post Ed Hardy’s most recent article in his Wes Anderson blog-a-thon, UNDERCLASS OVERACHIEVER/WEARY FORMER SUCCESS: Character Types in the Films of Wes Anderson. Through this admission, I am countering my own act of neglect. Well played.

A little teaser:

The two lead characters in Wes Anderson’s first film, Bottle Rocket (1996), Anthony and Dignan, established two main character types that have been articulated through the remainder of his films. Dignan, played by Owen Wilson, represents the Underclass Overachiever, and Anthony, played by his brother Luke Wilson, represents the Weary Former Success. Depth of character and variety of experience has made for a stunning series of characters throughout Anderons’s films, culminating in Steve Zissou, who is a synthesis of the two main types and is, in many ways, presaged by Royal Tenenbaum.

“Road to Andersonville” {archive}

Reel.com

Welcome to Andersonville I’m a confirmed Wes Anderson fan, but then you knew that. Rushmore and Bottle Rocket (directed by Anderson, co-written by Anderson and Owen Wilson) are among my favorite films of the ’90s. I can’t wait for the next one, something about a family of geniuses living in New York.

But my admiration for Anderson’s sly brand of filmmaking pales next to Jon Doyle and Mark Devitt’s. These guys are serious. How serious? Last February they went on a Wes Anderson pilgrimage, traveling by car from their native Canada to visit various locations Anderson used for Rushmore and Bottle Rocket in Texas. A little strange, I suppose, but also charming in an oddball, Wes Anderson sort of way.

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“On the Road” {archive}

Roughcut.com

by Andy Jones

When I heard that Wes Anderson was traveling across country on a bus to promote Rushmore, I assumed that he was driving around in a big yellow school bus. I don’t know why. But it seemed very Wes and very Rushmore — which is an odd, riotous, deeply satisfying, crushingly original film that Anderson directed and co-wrote with his good friend Owen Wilson. Both are also responsible for the equally out-there Bottle Rocket. Anyhow, it’s not a school bus. It’s a high-tech tour bus painted bright yellow and Anderson holds court in the back bedroom… with a mirrored ceiling. Very rock star. We caught up with him in Atlanta, early in the morning, between television interviews.

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Onion A/V Club Interview with Wes Anderson {archive}

The Onion A/V Club
By Keith Phipps

Though he only has two films on his resume, it’s safe to say that no one makes movies like Wes Anderson. Despite barely being released in theaters, his debut, 1996’s Bottle Rocket, still found an audience on video. Starring brothers Luke and Owen Wilson (who also serves as Anderson’s writing partner), the sweet, complex, humane comedy about a hapless group of aspiring criminals struck a chord with most who saw it, even while languishing in relative obscurity. Rushmore, Anderson’s follow-up, doesn’t seem likely to meet the same fate: It has a high-profile star in Bill Murray and the support of its studio. More importantly, the film has gathered an avalanche of good will from critics, many of whom began publicizing its virtues in November, long before most people could see it. Rushmore tells the story of a lovestruck 15-year-old private-school student whose desire to achieve in every extracurricular activity is outstripped only by his inability (or unwillingness) to recognize his limitations. Raised in Texas, the 33-year-old Anderson shares with his film’s protagonist a private-school background (Rushmore was filmed at the academy he attended as a boy) and prodigious creative instincts (like Rushmore‘s hero, he channeled much of his energy into staging elaborate school plays). Anderson recently spoke to The Onion while touring America in a yellow school bus emblazoned with the Rushmore logo.

The Onion: Tell me about this bus tour you’re on. Have you had any strange experiences on it?

Continue reading “Onion A/V Club Interview with Wes Anderson {archive}”