Waris: “To India, with Love”

toindiawithlove

Waris Ahluwalia, with co-editors Mortimer Singer and Tina Bhojwani, have put together a beautiful and interesting scrapbook called To India with Love: From New York to Mumbai.

Ask people who have been there, and they will all tell you India is like no other place in the world, a land that stirs every one of the five senses and stays in your heart forever. It is this India that brought together three friends, Waris Ahluwalia, Mortimer Singer and Tina Bhojwani to raise funds, spirits, and awareness for the victims of the attacks in Mumbai in November, 2008.  The editors set out to create a scrapbook collecting personal photos, stories, and memories from people who, like themselves, love India. The contributors include Wes Anderson, Adrien Brody, Francesco Clemente, Anthony Edwards, Jeanine Lobell, Natalie Portman, Yves Carcelle, Jean Touitou, Owen Wilson, Laura Wilson, Cynthia Rowley, James Ivory, Matthew Williamson, Rachel Roy, Tory Burch, Padma Lakshmi and Shobhaa De. This book declares to Mumbai and the whole country that we are all thinking of them and support them: hence To India, with Love: New York to Mumbai. Profits from the sales of the book will go to support families affected by the attacks. This book can truly make a difference, by opening eyes to the wonders of India and by once again letting the pen or a camera dominate the sword.

It is featured in the New York Times “The Moment” blog.

Photo by Wes Anderson

Derek Hill + Waris Ahluwalia (unrelated)

(buy the book)

Our old pal Derek Hill’s book is featured in today’s IFC.com Bright Lights:

So back to those book reviews. First up is Derek Hill‘s “Charlie Kaufman and Hollywood’s Merry Band of Pranksters, Fabulists, and Dreamers: An Excursion into the American New Wave,” and Colm O’Shea notes that the filmmakers under consideration here, or at least the six warranting their own chapters, are Richard Linklater, David O Russell, Wes Anderson, Spike Jonze, Sofia Coppola and Michel Gondry…. It’s curious that Kaufman, despite being featured in the title, does not get a chapter to himself. Though the book was written before ‘Synecdoche, New York,’ Kaufman is after all presented as the driving force behind Jonze and Gondry’s best work to date, and the embodiment of the sensibility with which Hill is so enamoured…. Hill sets out his linking principle as a predominant thematic through-line of comic unease and alienation.”

If you haven’t read Derek’s book yet, you really should.

In an unrelated note, Aman Singh reports “You Can’t Offend Waris Ahluwalia”:

Waris Ahluwalia – best known for his roles in Wes Anderson movies and his House of Waris jewelry line – looked at us quizzically at Saturday’s Elise Overland presentation, as though trying to remember if he’d met us before. “I actively chose a while ago to go, I’m not going to remember anything,” he explained. “Sort of a meditative thing: I thought I would keep my head clear, and thoughts would flow in and out. And then I became an actor.” There are occupational hazards to this M.O., such as memorizing lines or awkward social encounters. “We were up in Hudson, on the street. This guy comes up: ‘Hey.’ I’m like, ‘Hey, nice to meet you.’ And, like, beginning of the summer we had spent a weekend at his house,” said Waris. But he has adopted a credo passed onto him by Simon Doonan: “Be unoffendable.” We decided to hold him to it.

Waris, a Sikh, keeps his hair tightly coiled under a turban. How long, we asked, were his locks? “I cannot believe you asked me that!” he said. “It’s down to the hips.” Nearby, a girl with her back to us had her hair up in a bun. “It’s sort of like that,” he said, cupping his hand around it. She spun around, looking slightly bewildered. Waris didn’t flinch: “Unoffendable!” He’s removed the turban in movies like The Life Aquatic and Inside Man, but never for a photo shoot. So which fashion magazines would he take it off for? “Purple. And I’d do it for L’Uomo Vogue. I believe in art, and I believe in ideas and concepts,” he said. So, no Men’s Vogue? “No.” What about Harper’s Bazaar? Waris pointed to his turban. “They get this.” Waris is currently playing a hypochondriac in a film he hopes is Sundance-bound. Does he draw on his own neuroses for the role? No, he said, sounding a bit disappointed. “I wish I had some kind of weird tendencies. I try to.”

Waris on Sartorialist

Perhaps the most respected male fashion bloggeur, Scott Schuman (aka The Sartorialist), has stopped Frequent [Wes] Collaborator, and dedicated turban wearer,Waris Ahluwalia for a photo in New York — Fifth Ave., to be precise. In addition to his website, Schuman also has his own page in GQ every month. That’s some fashion clout.

Waris Ahluwalia on The Sartorialist
Waris Ahluwalia on The Sartorialist

It’s not the first time Waris has been on a fashion blog. He was on Facehunter in 2007, repping fashion designer, Benjamin Cho.

World of Waris

Very cool video featuring Waris Ahluwalia’s newest jewelry collection, Omnia Vincit Amor (Love Conquers All). More at House of Waris.

Waris in Rosencrantz and Guildenstern Are Undead

Waris is in a new film.

Rosencrantz and Guildenstern Are Undead.

Sean Lennon is set to participate in the forthcoming film Rosencrantz & Guildenstern Are Undead, Billboard.com reports. According to director and writer Jordan Galland, the film is “a vampire comedy involving Shakespeare and the Holy Grail, starring Jake Hoffman [who also has a rather famous father], Devon Aoki, Johnny Ventimiglia, Kris Lemche, Ralph Macchio and Jeremy Sisto, with a cameo from Bijou Phillips.” The indie flick (about an off-Broadway production involving not-so-deceased scriptwriters, no less) will feature music scored by John Lennon and Yoko Ono’s talented kid (Paste).


Higher resolution trailer

Official site

Waris is “never say no”

Yes, another semi-fashion related post with Waris Ahluwalia. Waris is really proving to be one of Team Wes’s most prolific members. Is there nothing this man can’t do with Style? We’re going to have to coin a new term around here: Warilicious (too much? Suggestions?) Waris is still hard at work in the Jewelry and fashion business and teaches us to always say “yes”. In this Dejour Magazine interview he also mentions his upcoming film work (“Rosencrantz and Guildenstern are Undead” – a Zombie movie, among others), talks about his girlfriend’s film, being Sikh and much more.

It’s just a funny thing. Half my year is spent sitting on the floor working with my craftsmen working on the jewelry, and then the next day I’m off to Tokyo for the Jalouse party for the cover of Jalouse, and then I land here and literally land into fashion week so it’s defiantly a funny mix of worlds.

Keep cool, Waris!

Man of the Hour

Team Wes’ nattiest dresser and jewelry designer Waris Ahluwalia had been popping up in fashion news with New York Fashion week in full swing this past week. He was spotted at Israeli designer Yigal Azrouel’s show and seen front row at the Cynthia Rowley’s runway show. Kempt, a men’s fashion site, features Waris as their “Man of the Hour” after spotting him dressed to the nines at The Beatrice Inn (where else!):

” The other night a Purple magazine Fashion Week party at Paul Sevigny’s crypto-swank Beatrice Inn, his favorite haunt, Waris bowled us over in a bespoke brown, green and burgundy flecked herringbone wool tweed suit with a forest green wool waistcoat and a crimson knitted wool tie: a perfectly balanced and seasonal palette that’s as warming to look upon as it must be to wear.”

Thanks for keeping Team Wes looking sharp, Waris!

Article in Bright Lights Film Journal, and Detour Magazine Video Interview

From “Wes’s World” in the February 2008 issue of the Bright Lights Film Journal:

At the heart of Wes Anderson’s self-conscious aesthetic is a curious sort of paradox: on the one hand, he’s a light dreamy enchanter, marshalling a cavalcade of nonstop whimsy and farce that, somehow, he has combined with the strict rigorous cineastic vision of an Antonioni, manifesting itself in muted performances, gruelingly controlled sets, and staging measured to within an inch of its life. I am reminded of a scene in Kubrick’s The Shining where I got so distracted by the amusing pictures of sexy, funky, afro-headed nudes hanging on Scatman Crothers’ walls that I couldn’t pay any attention to what he was seeing on television; at odds with their corny-sleazy purpose as characterization, the pictures seemed to have been arranged with the symmetry and calculation of a coy museum curator. It is a similar effect — art-gallery precision misapplied to screwball comedy — that Anderson makes deliberate use of as a subtle joke, a neurotic element of his humorous vision. In the decade since his reputation first erupted, his unique manner has infected movie comedies in a big way — just as Tim Burton’s style has become the gold standard for cute spookiness. You see it in movies like Election (1999); a beloved cult favorite like Napoleon Dynamite (2004); as well as in forgettable efforts like Running with Scissors (2006).

… and a video from Detour Magazine:

Sunday afternoon movie

It’s Sunday afternoon. Why not go see The Darjeeling Limited this afternoon at one of these 19 theatres?

P.S. If you went this weekend, e-mail us your experience (edwardappleby @ yankeeracers.org, no spaces), and we may post it here!

News and Media Alerts

  • Owen Wilson made a surprise apperance at The Darjeeling Limited‘s Thursday premiere in Los Angeles (Reuters). Wes said, “He’s my best friend…. I’ve never made a movie without him and I hope to never have to.” Anjelica Huston apparently joked about having a crush on Owen, while Jason Schwartzman said, “Owen is doing very well and he is with us tonight, and I love him” (imdb). We do, too.
  • There is a really great interview with Waris in the New York Press. Some highlights:

I met [Wes Anderson] at a peace rally through mutual friends four years ago. We became friends, saw each other at dinner, this and that. One day, he just asked me what I was doing for the second half of the year….

After Life Aquatic, the Sikh community reached out to me. They started writing, sending e-mails, just thanking me. What did I do? I worked for a friend. I’m not trying to be a role model. I wasn’t involved with my community that much, so it was a strange turnaround to go down to Capitol Hill to get awarded by Hillary Clinton for my positive portrayal of Sikhs in the media….

Wes treated the country beautifully, in terms of how he shot it. It’s earnest and honest. The films of Satyajit Ray are something that he loves. He got really into it. So why is it fetishistic in a bad way? We all fetishize things. Maybe he did….

He’s curious about cultures and experiences, and he was drawn in by those films he saw—the magic of them. Everyone has a tendency–not just this writer from Slate, god bless him—we look at everything through our own eyes. Sure, it could be construed as racist. I won’t argue with you there. You can look at anything out of context, and it’s going to be racist. I think there might be racist things in Spike’s movie, but I’m not sure. [laughs] Someone needed a good angle for their story. And that’s a good angle! I commend him on his story. These are good things to explore. That’s fine. It’s an opinion. But he’s talking about someone who I know and have spent a great deal of time with over five years—I know that’s not him.

(Editor’s note: We heart Waris. Isn’t this post turning into quite the love fest…?)

  • Box Office Mojo projects that The Darjeeling Limited will come in 24th at the box office this weekend — showing on only 19 theatres across North America and adding $553,000 to its total gross.

More soon…