A few quick notes

Just a quick update for now…

From Hans:

Tea Gschwendner in Chicago is throwing a release party for The Darjeeling Limited, complete with Sitar music, Indian finger foods and darjeeling tea. There will be a $5 cover, although you can get in for free if you can find and bring the ad in the Columbia Chronicle for the event. There will also be raffle prizes which will be given out every 15 minutes (Fox Searchlight Studios is providing a variety of movie goodies to give away). Also, everyone that comes to this party will receive a free ticket to the pre-screening on Oct. 1, at the AMC theater on Illinois St. Dress like your favorite Wes Anderson character. Sat Sept 29th 2007 6-9pm

Men’s Vogue has a great article called “Wonder Boys,” about Owen and Wes. We will post some pictures and text soon.

There are also some new pictures of the new one, which we will also post soon.

Glenn Kenny, at Premiere, positively reviewed The Darjeeling Limited:

A riotously colorful journey . . .

Those who complain about the emotional indirectness of the film, or that
its carefully controlled visual style sterilizes material that would be
better served raw, kind of miss the point. Withholding the prospect of a
direct connection between the viewer and the brothers is evidence of
Anderson’s larger purpose—this movie is as much, if not more, about the
construction of fictions as it is about its ostensible plot.

Last, but certainly not least, The Playlist blog has a great feature called, “If I Were a Wes Anderson Soundtrack.”

Update (9.50 am, September 21): The Louis Vuitton luggage from The Darjeeling Limited is on display at Louis Vuitton on 57th Street and Fifth Avenue through the weekend.

Darjeeling Limited luggage on display at LV, NYC

More details soon… !!!

TDL in Film Comment, the New Yorker; and, FREE SCREENINGS

From The New Yorker:

New Yorker illustration by Zohar Lazar

(credit: Zohar Lazar, The New Yorker)

The October issue of Film Comment features the gang from TDL:

The finest iteration of the Anderson oeuvre to date. . .

Wilson brings back the corn-fed, spaced-out enthusiasm of his career-making character Dignan in the Anderson debut Bottle Rocket, recasting the caper-seeking outlaw as an adult shattered by near-death experience but still perilously full of gung-ho.

You can fake them [epiphanies] in films with swelling Bowie songs and tight emotive headshots, but it leaves a bad taste when the characters haven’t earned it. Such was the effect of the oddly lifeless Life Aquatic, Anderson’s last and worst film, which seemed built solely around Bill Murray’s prodigious charm. But the characters in Darjeeling earn their shot at redemption – partly through three excellent lead performances, partly by metanarrative devices that reveal the reality behind works of fiction. (Chris Norris)

Fox Searchlight is distributing passes for FREE screenings across the country!

(thanks to Chris for some of the leads)

“Underclass Overachiever / Weary Former Success”

I have neglected to post Ed Hardy’s most recent article in his Wes Anderson blog-a-thon, UNDERCLASS OVERACHIEVER/WEARY FORMER SUCCESS: Character Types in the Films of Wes Anderson. Through this admission, I am countering my own act of neglect. Well played.

A little teaser:

The two lead characters in Wes Anderson’s first film, Bottle Rocket (1996), Anthony and Dignan, established two main character types that have been articulated through the remainder of his films. Dignan, played by Owen Wilson, represents the Underclass Overachiever, and Anthony, played by his brother Luke Wilson, represents the Weary Former Success. Depth of character and variety of experience has made for a stunning series of characters throughout Anderons’s films, culminating in Steve Zissou, who is a synthesis of the two main types and is, in many ways, presaged by Royal Tenenbaum.

Wes directs AT&T commercials

Wes is directing six commercials for a ‘re-branded’ AT&T, according to Reuters:

The company’s “Your Seamless World” corporate ad campaign features situations that “speak to the on-the-go lifestyle of today’s consumers and businesses.”

The campaign includes six television spots overseen by Wes Anderson, director of films including “Rushmore” and “The Royal Tenenbaums.”

AT&T also said it will now use orange as its primary corporate color. Ads, company signage and its Web site are undergoing a “color makeover,” the company said.

Ad Week has a review of one of the new commercials. We will post the videos when we find them.

Update: Here are the video links (You Tube): Seamless World World Reporter | Mom | Businessman | Architect| Actor

“Aspects of It Seem Slightly Fake,” and Chatter about TDL

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Ed Hardy, Jr. has posted another essay in his series on Wes Anderson, titled “Aspects of It Seem Slightly Fake.”

Some more reviews of The Darjeeling Limited with snippets by Yankee Racer “leeroy”:

  • Ain’t It Cool: “Well, not only did I like the film, but I am here to tell you that it is simply the most entertaining thing I have seen in my time here in Venice. The movie had me laughing out loud more than once. The cinematography is great with the use of color to underline anything that is going on. And the acting is superb. . . I can’t recommend it highly enough.”
  • Telegragh (U.K.): “Director Wes Anderson’s films (Rushmore, The Royal Tenenbaums) share a languid, calculatedly offbeat charm, but their characters often seem to belong to a cool, tight little clique, with an array of private in-jokes. Audiences can easily feel excluded. All this is true of Anderson’s new film The Darjeeling Limited: happily, its charm trumps its shortcomings.There’ s a genuinely sweet-natured feel to The Darjeeling Limited that makes this screwed-up trio engaging rather than irritating.” – David Gritten
  • Financial Times (U.K.): “The jokes are good, the saffron-filtered visuals even better” – Nigel Andrews
  • Guardian Unlimited (U.K.): “It’s a sensuous experience, gorgeous to look at and gently comic but, as it touches on family bonding, heirlooms and hereditary traits, it develops a delicately moving mood. One to savour when it closes the London Film Festival in November.” – Jason Solomons

About Hotel Chevalier

About Hotel Chevalier (credit: NataliePortman.com):

Before the Venice screening of ‘Darjeeling’, Anderson presented a seventeen-minute short film called ‘Hotel Chevalier’, which he originally conceived to play before the main feature, although there’s now talk that it will only be available to see online come the film’s UK release in November. This wistful and maudlin short story offers some background to the main attraction as Schwartzmann and Natalie Portman play a pair of estranged lovers who square up to each other in the sumptuous surroundings of a Parisian hotel room.

Those fifteen minutes are classic Wes Anderson. His camera moves with grace and precision through the room as Schwartzmann, with a sad look on his face and a stark moustache above his lip, waits for Portman to arrive. Sitting on the floor is a beautiful tanned-leather trunk decorated with colourful images of elephants (one of a set crafted especially for the film by Marc Jacobs). On the stereo we hear Peter Sarstedt’s wistful ode to Paris, ‘Where Do You Go To (My Lovely)’, and all around there’s evidence of the same deep orange that characterises Schwartzmann’s hotel dressing-gown, from the thick duvet on the bed to the towels in the bathroom. If there’s one element of ‘Hotel Chevalier’ that’s surprising for Anderson, it’s a strong sense of romance and sexuality: in one shot, Schwartzmann gently pulls off Portman’s clothes to reveal her naked body from behind, and a later shot has Portman, nude, standing still in a doorway, one foot up against the frame. It’s a beautiful shot, and one that’s made even more pertinent by Sarstedt’s melancholic lyrics on the soundtrack. It’s the sexiest thing that Anderson has ever done.

URL: TimeOut review

An emotional train ride with the critics

Yesterday, I was moaning over on the Yankee Racers about the initial reviews I had read. However, I responded to an e-mail this morning a bit differently, arguing that the negative reviews of TDL are rather formulaic and that all of Wes’ films have received mixed reviews. So what? However, good ol’ leeroy offered an even better perspective:

The negative review from Hollywood Reporter, and the positive review from Variety have been posted in the non-spoiler thread. Here’s a positive review from Premiere.com:

“The performances are spot-on (Brody slips into this world effortlessly); the colors rich and lush; the soundtrack again cool and eclectic; the cinematic language deliberate and formal, despite Anderson filming on a moving train.”

Rolling Stone loves it:

“Confession: I love this movie. It’s the most assured, mature work yet from director Wes Anderson . . .it’s Brody who is the revelation. Touched by tragedy, his character doesn’t talk but asks “to hold this in for a while.” The Darjeeling Limited is more than one of the best movies of the year. It’s a movie you want to hold in.”

Another good review, from TimeOut London:

“Darjeeling’ is lighter on its feet than ‘The Life Aquatic’ because of its speedy pace and the relative simplicity of its camerawork . . . there’s less of the intricate background and layering of some of Anderson’s other films, particularly ‘The Royal Tenenbaums’, which delighted in the complexity of its biographies. Instead, much is left to the moment and the landscape: Anderson sucks in the sights, colours, oddities and details of India, from the way that tickets are checked on the train to visits to a shoe-shiner and a holy temple.”

And a report on the Darjeeling press conference:

“The press briefing for “Darjeeling” was lighthearted even though the film screened under a pall after Owen Wilson, one of the film’s three main stars, was hospitalized last week. Anderson began the briefing by telling the packed press room that Wilson was recovering fine and cracking jokes at home; soon, the rest of the cast began cracking their own jokes.

Bill Murray stole the show, telling people that his two minutes of screen time in “Darjeeling” was “the role he always wanted.”

“I fly to a fascinating place like India for a week, work one day and spend the rest of the time shopping and sightseeing, then I fly home, rest, relax and then fly to beautiful Venice for a week to spend my time eating and drinking and resting, interrupted by work for just one hour,” Murray joked. “Not bad, right?”

Anderson was asked whether he had plans to expand Murray’s cameo role in any possible sequel to the film. The director said there were no such plans, to which Murray pounded his fist on the table, feigning an angry “Damn it!”

TDL screened tonight at the Venice International Film Festival

Hotel Chevalier and The Darjeeling Limited screened this evening at the Venice International Film Festival. We excitedly await photos and reactions. While Owen Wilson sadly could not attend the festivities, Wes had positive news about Owen at Venice:

Obviously he has been through quite a lot this week. I can tell you he has been doing very well, he has been making us laugh. When he’s ready he’s going to speak for himself much better than any of us could. He has got a very good way with words. (Times)

Ed Hardy, Jr’s “Shoot the Projectionist” blog is sponsoring a month-long Wes Anderson “blog-a-thon”:

Each week I’ll be unveiling a new essay about Wes Anderson, and Darren, our Opinion-at-Large, will contribute a list of his favorite moments in each Wes Anderson film. I’ll also be posting a new image from Darjeeling Limited everyday.

Ed’s current essay is titled “Wes Anderson, Nostalgia, and the 11 Year Old Point-of-View.” It’s worth checking out (be sure to read the comments, too).

Finally, we offer you some early photos of the gang from The Darjeeling Limited at Venice. Please send reactions, leads, and photos to edwardappleby @ yankeeracers.org (no spaces).

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(special thanks to Yankee Racers ‘SugarMagnolia’ and ‘Loraxaeon’ for the leads)

Odds and sods

Some links:

We are looking for*:

  • Wes fans attending the Venice International Film Festival, the New York Film Festival, or the London Film Festival, who can take photos and report on the festivities.
  • The owner of the ex-wesanderson.org. ‘mr/ms org,’ as he/she was known, we are looking for you!
  • Site contributors, willing to dig up information and images about Wes and his films on the web, and someone interested in hosting a podcast at this site.

* E-mail webmaster @ rushmoreacademy.com (no spaces).

HBO Films Directors Dialogue with Wes Anderson

We are, of course, still worried about Owen, but we would like to pass on this exciting information.

There will be an HBO Films Directors Dialogue with Wes Anderson hosted by Kent Jones @ The Times Center on W. 41st with a Young Friends of Film reception to follow. Tickets are $16 and $40 which includes the reception. Oh it’s on October 10th @ 7PM….

Ticket info should be listed here:

http://www.filmlinc.com

URL: Thread at the Yankee Racers

I have some new videos and links to post, but I delayed because of the Owen situation. I will post them soon.