We’re a little late to post this one, but don’t let its 6-day age turn you off. Jason Schwartzman, interviewed by Jada Yuan for New York Magazine, is at his best. He talks about his childhood experiences, working with Bill Murray, and his friendship with Wes:
So, when Wes calls, do you just drop everything you’re doing to be in his movies? Do you have a say in what you play?
First of all, let me say this: This is one of my best friends in the whole world and I am very, very lucky for that. There are very few people I could say that are my close people that I really, really care about. And I would say that there are an even smaller amount of them that I could say I actually work with, too. And it’s just very lucky. I met Wes on Rushmore. We made a movie together. We stayed in touch through the years. And then this weird thing happens to you personally and you talk about it and then you keep talking, and then all of a sudden it’s twelve years older and you’re like, “Wow, this is my best friend.”
Read the rest of the interview over at The Vulture.
(image via GQ)
ComingSoon.net had the chance to speak with the auteur filmmaker [Anderson], who revealed that he has prepared a special animated short film designed to serve as a companion piece to Moonrise and that it will premiere online next week.
“[The character of Suzy has] a suitcase full of these young adult fantasy type novels,” Anderson told us. “Sort of sci-fi/fantasy books. We had to invent them and give a little glimpse of each one. Different artists, most of whom very close to the filmmakers, were doing these. In fact, we have now animated them, each little passage, each in the style of the cover of the book. We’ve made a little short film that’s hosted by Bob Balaban, the narrator in our movie. That will come out next week on the internet. It’ll be a little companion piece to the movie.”
Very exciting, we wonder if it’ll be easier to grab hold of than Hotel Chevalier was for the non-iTunes inclined. We’ll keep you posted.
Wes Anderson sat down with Terri Gross to discuss his inspiration of the movie, the casting process, visual design, and his own childhood.
The 38-minute interview is full of great details, like the revelation below:
ANDERSON: Well, I remember – you know, someone asked me in the past week, in Cannes – I don’t – I can’t even remember who it was that asked me this, a reporter. I wish I had noted him, because he asked me something that made me kind of realize what I had wanted to do. He asked if the movie was a memory of a fantasy.
And I thought – at first I wasn’t quite sure what that meant. Then I realized that that is sort of exactly what the movie is. It’s – I remember the emotion of feeling like I was falling in love at that age, 12 years old, and how powerful it was and sudden, and kind of inexplicable. And yet in this – you know, I – nothing happened in my case.
[…] GROSS: Who did you fall in love with?
ANDERSON: Well, I – I don’t – I don’t know if I want to even say the name, because it’s a, you know, a real person who very likely won’t be listening to this, but maybe would be. You know, a girl two rows over and three seats up who was in my class for years, and I never really had much of a conversation with her.
It’s here, it’s finally here! It’s opening day! Buy your tickets early and often to support Wes and luxuriate in his newest cinematic masterpiece (and confidentially, as few of our editors have already seen the film, we can confirm it’s as wonderful as you had hoped.)
With that said, it’s time to get down to brass tacks, here’s your Friday Round-up:
In the immaculately designed, emotionally charged bubble filmmaker Wes Anderson builds around the 1965 New England summer, first love blooms. Sam (Jared Gilman) is an orphan at the mercy of foster parents and his Scout troop. Suzy (Kara Hayward) lives in a lighthouse with three younger brothers, two lawyer parents (Bill Murray and Frances McDormand) and an urge to bust free. Sam, she decides, is her man. No one understands their attraction. Hell, they’re both 12. He’s a string bean in thick glasses, and she’s cool enough to wear eyeliner. But Anderson, who wrote the resonant script with Roman Coppola, knows their secret hearts. So when the kids run away to an island they call Moonrise Kingdom, Anderson is right there with them. And thanks to this enchanted ride of a movie, so are we…
As the hurricane whips up a perhaps too busy climax, Anderson links the everyday and the extraordinary with virtuoso artistry. Shot with a poet’s eye by Robert Yeoman and lifted by an Alexandre Desplat score that samples Mozart, Hank Williams and Benjamin Britten, the hilarious and heartfelt Moonrise Kingdomis a consistent pleasure. By evoking the joys and terrors of childhood, it reminds us how to be alive.
Enter our Moonrise Kingdom release day giveaway and win prizes courtesy of Focus Features! Limited engagement starts today, 25 May 2012. Nationwide release on 29 June.
Two (2) winners will receive:
Patches (set of two)
To enter: Comment on this post, retweet the link on Twitter, or reply to the story on our Facebook timeline. Be sure to tell us who your favorite Moonrise Kingdom character is and why. Entries must be received by 11:59 PM ET on Monday, 28 May 2012. Two winners will be selected randomly from the entries.